Michelle Williams Quotes
The possibilities are endless for me - Broadway, TV, music and film.
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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But the process of making a film is not glamorous. Certainly not my films.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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I would love to see young writers come out of college and know there is a possibility to be a novelist.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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Film has played such a big part in my life, in my impressions of the United States.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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The first Broadway show I saw was when I was 11. I saw 'Hair.'
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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Being in a Woody Allen film. I cherish it.
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I was in New York doing musicals in the theater and on Broadway before 'Orange,' so people always ask, 'Are you ever going to get to sing? Does she even sing?' But people who know me know I actually do sing.
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Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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If you've been driving for a little while and nothing's happened to you yet - and you've been texting and driving - you think, 'Oh nothing's going to happen.' But all it takes is an accident happening with one of your friends or God forbid, something happening to you, to really give you a wake-up call.
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We were orbiting around the idea of intent and context. We would take the bus into work, and if you said, 'Here's a shirt you might like,' and I open it on my mobile phone, I'm not going to pull out my credit card and wallet. We thought, 'How does someone do this? An e-mail to yourself, or you try to remember?'
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I worked with the same trainer that worked with Denzel Washington in THe Hurricane. It was three months of training, five days a week, 4 to 5 hours a day. This was followed by a month of choreography.
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The possibilities are endless for me - Broadway, TV, music and film.
