Dan Fogelberg Quotes
Quotes to Explore
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I actually think I have an audience member's sensibility about going to the movies.
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I'm never nervous about being vulnerable with my songwriting because my favorite artists are ones that are vulnerable. I want people to feel like they know me.
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This bikini made me a success.
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I'm a Christian, and I'm not judgmental towards anyone. I think that's really important.
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I worked as a head cook at courthouses and high schools. I left it behind when I started getting into my music real heavy.
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There's this idea of a star, and this person is very aloof and writes all the music, and they don't talk to anyone unless they go through the record label. And I always felt very uncomfortable about that.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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I was raised to want to work for a living. The idea of just sitting around or going shopping every day appalls me.
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My problem with new writers is that it takes me five or six years to memorise the right names.
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I may be helping to bring harmony between people through my music.
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I'm going to put music out when I feel like it's ready.
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I'm a total loner. I can't even answer texts or take my phone with me when I'm working!
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People are very curious and have written a lot of things about me. Right or not. I never comment on those things, because it's not much of my thing to comment on everything that's written about me.
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I think there are telegrams that may or may not be available, which indicated that I very much had in mind the need to give Europe substantial aid after the war, after Lend-Lease was over.
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I have great energy and I have great tasks ahead of me.
Garry Kasparov -
I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
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I don't do something because I think it will sell 30 million albums. I couldn't care less. If it sells one, it sells one.
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I think when you're looking for people to interview, you want to make it fair and honest. You're not just bringing people on so you can beat them up or, you know, make fools out of them or something.
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Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
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I loved the extended version of 'Aliens' because it shows just a little bit more that you don't see and what they always show on television.
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My team and I used the actual footage to create a three-act story of the life of Ayrton Senna. There are no talking heads and no voiceover. Senna narrates his own epic, dramatic, thrilling journey.
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My upbringing made me think that real legitimate music is written, not heard.
