Terence McKenna (Terence Kemp McKenna) Quotes
Quotes to Explore
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I have an ambition to write a great book, but that's really a competition with myself. I've noticed that a lot of young writers, people in all media, want to be famous but they don't really want to do anything. I can't think of anything less worth striving for than fame.
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There have been a lot of exercises and I've had to force myself to go out for walks even when I didn't feel like it, but apart from that, I am a lot better.
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In 1958, my father invested everything he had in a business venture and became the largest automobile dealership in Chicago for Ford's new Edsel line. But Edsel sales plummeted and my father fell into bankruptcy. I watched him struggle; working long hours to protect us from poverty.
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One can't do anything alone in Haiti. Sharing and cooperation are so deeply woven into the culture that sometimes it's hard to have a separate thought.
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I never did a dirty armpit. You can look dirty, but you can't be dirty.
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Let us have peace.
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Sharing is the essence of social media.
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Language as a communication tool is the primary element from which literature is created. Even in pre-literate societies, it exists as songs, riddles, or epics that are chanted.
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I have often heard that the novel is dead. But I see novels produced, I don't know how many a week, in France. I have the impression it's carrying along quite well.
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I've never necessarily chosen to be a bachelor. I've had girlfriends throughout the last 20 or 30 years. It's just that there were times when I met people that fascinated me and times I didn't.
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Men always do leave off really thinking, when the last bit of wild animal dies in them.
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For me, it's hard to keep up with trends. I just go for the roles and movies that I feel I could add value to, or contribute to, that I feel I could portray.
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I rarely think about myself that much. I really don't.
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It's kind of fun to do the impossible.
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Every word is like an unnecessary stain on silence and nothingness.
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I loved ninjas when I was younger.
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What I've always tried to find in my books are points at which the private lives of the characters, and also my own, intersect with the public life of the culture.
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I've learned that universal acceptance and appreciation is just an unrealistic goal.
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That's why you put out records: hoping that people will connect with them. I mean, I play music for myself, for sure, and I would still play music even if people didn't like it. But it means a lot when it connects to people and they enjoy it. But it's funny: you get criticism as much as you get praise. It kind of evens out after awhile.
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I like photographs which leave something to the imagination.
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Every child is born blessed with a vivid imagination. But just as a muscle grows flabby with disuse, so the bright imagination of a child pales in later years if he ceases to exercise it.
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But what are a hundred million deaths? When one has served in a war, one hardly knows what a dead man is, after a while. And since a dead man has no substance unless one has actually seen him dead, a hundred million corpses broadcast through history are no more than a puff of smoke in the imagination.
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The imagination is a dimension of nonlocal information
