Nikolaj Coster-Waldau Quotes
Once you put a mask on, if you allow it to, it can really transform you, and that's what a costume does.
Quotes to Explore
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Putting on someone else's clothes is like putting on a mask.
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With 'Mask,' 'Smooth Talk' and 'Blue Velvet,' I loved the specific experiences so much. Each one was a specific filmmaker with a specific vision.
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And I guess I have a face and a look that sort of lends itself to period costume!
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I have the whole costume from Playboy's sixtieth-anniversary cover shoot.
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For myself I don't like the geisha look. It's like a mask.
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None of my costume designers have ever been nominated for an Oscar 'cause I don't do period movies that have ball scenes with a hundred extras in them.
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Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.
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I grew up on WWE. Eddie Guerrero is my everything. He's my hero, as are Shawn Michaels and Tiger Mask. I tried to model myself after them.
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You can fake your age or mask it, but the passion that moves the characters has to be real.
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I hear from many a man around Halloween that's dressed up as Mama for Halloween. It's a great costume.
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Virtue has a veil, vice a mask.
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We have to find in Christ, not a mask that conceals our face, but an entire wardrobe of clothing, which is His righteousness.
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You just need to be a flea against injustice. Enough committed fleas biting strategically can make even the biggest dog uncomfortable and transform even the biggest nation.
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We want spiritual principles to be more than beautiful abstractions; we want them to actually transform our lives.
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People want the nation to transform in the same way they want their own lives to transform. If you're interested in transforming your life, you can't just transform some things. You can't try to fix some things, but sweep other things under the rug because it's too hard to face them. And the same is true for a nation.
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Enlightenment doesn't mean we were never wounded; it means we've found a way to evolve beyond our wounds. Enlightenment isn't idealistic; it's practical. What's idealistic is thinking we can live from our wounds, stay in our weakness, and ever transform the world.
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When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.
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Tom's great yellow bronze mask all draped upon an iron framework. An inhibited, nerve-drawn; dropped face - as if hung on a scaffold of heavy private brooding; and thought.
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I think escape is sort of like coming to a show with ten thousand other people and responding to that moment. Sharing that moment - that's escape.
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Every now and then I read a poem that does touch something in me, but I never turn to poetry for solace or pleasure in the way that I throw myself into prose.
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I guess I'm kind of used to it because it's always been that way for me.
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Once you put a mask on, if you allow it to, it can really transform you, and that's what a costume does.
