Ray Bradbury (Ray Douglas Bradbury) Quotes
Stuff your eyes with wonder, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories.
Quotes to Explore
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The effect of liberty to individuals is that they may do what they please: we ought to see what it will please them to do, before we risk congratulations.
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I was always under the impression that acting is an innate gift. One of the first things I heard them say at Koothu-P-Pattarai was that actors should realise the art of acting through their training.
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Sharing is the essence of social media.
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We believe in some basic human principles - everyone should have the opportunities not just to survive, but to excel with their God-given talents and abilities. Those are the values that should be reflected in our budgets.
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I would say issues around human rights - either you're going to take a hard stance, or you're not. You can't borrow money from China the way the U.S. has done and then turn around and say, 'But you've got a human-rights problem.' You can't be half pregnant.
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I think every mother feels that the best place for their child is with their mum, but you want things for yourself, too. So, you're either at work feeling guilty, or you are at home feeling frustrated.
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I don't want expensive gifts; I don't want to be bought. I have everything I want. I just want someone to be there for me, to make me feel safe and secure.
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What is pure Bill? Or excellent or admirable? The death of a million people in a flood? God evidently through so. He is incapable of acts that are not admirable, and it is He who brought about the Flood. How about the slaying of children in Jericho? There are a few Bible stories that are not as terrible as they are happy. We just prefer to leave out the terrible part, but that only makes the good anemic.
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When you can program your own life, you're just going to program what you already like. Because of that, people's taste becomes much more narrow-minded.
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There is plenty of ambitious competition and hypocrisy in the middle class, which makes it a rather fertile environment for a writer.
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If one's cause is supported by sound reasoning, there is no point in using violence. It is those who have no motive other than selfish desire and who cannot achieve their goal through logical reasoning who rely on force.
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There's a certain cruelty to being on a big screen as your eyelids start to sag and your hair falls out and turns gray that you either have to be able to handle or not. What you can't do is try to force yourself into roles that you could have played or would have played ten years earlier.
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A universal style is one that knows how to embrace lovingly those not quite developed.
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People always ask me about 'Girls' with this kind of hesitation. What do I think of it? I love it. It's awesome. I get a lot of Where do you come down on this? I come down on the side of 'Yay, Lena Dunham. Congratulations. I'm jealous.' She's doing something so fantastic. Maybe it's not for everybody, but it certainly is for me.
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I remember Adrian [Maben, director] had lots of problems with red tape and dealing with stuff. I think we lost two or three days. Maybe those were the days we had to walk around the summit of Vesuvius, and we went around to the sulfur pits where the ground is bubbling. It's near here. It's fantastic.
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A fantastic analogy for the power of focus is racing cars. When your car begins to skid, the natural reflex is to look at the wall in an attempt to avoid it. But if you keep focusing on what you fear, that's exactly where you'll end up. Professional racers know that we unconsciously steer in the direction of our focus, so with their lives on the line, they turn their focus away from the wall and towards the open track.
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I think it has a vibe because we're all so different and individual... so it's fantastic when we come together as a group. Then at the same time we're all coming from the same place - Idol. We all went from nothing to something in two months... so we understand each other.
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We were both [ with Russel Crowe] hand-plucked to do [The Quick and the Death]. He had done Romper Stomper and I had done Gilbert Grape and so we were hand- plucked to do this big budget film. So we were both very bright-eyed and bushy-tailed.
