Mike Figgis Quotes
I made my first film on 16mm. Then I began using 35mm.Then I began working in Hollywood. And I began to really understand how films were made by professionals. I have to say I wasn't very impressed.
Quotes to Explore
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My interest in magic was kindled by Steve Martin, the comedian I'd gone to high school with.
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Conscience is God present in man.
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I think it's time we all agree that gender stereotypes are simply the confabulation of our own mind.
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I hope Obama gets scary in the next four years, 'cuz he ain't gotta worry about getting re-elected.
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No, you will never see me on 'Dancing With the Stars.' Sorry.
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I remember when 'The Right Stuff' opened in Hollywood. I got dressed that morning and drove my car down to the theatre that it was playing on, thinking that there would be mobs of people outside. When I looked, there was nobody there.
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My father was a headmaster in England and then the dean of a college in Australia. We moved there when I was about five, so my education was in Australia, and I always felt I was Australian even though my passport was British.
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Life is too short to be on a diet.
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A penny will not buy a penny postcard or a penny whistle or a single piece of penny candy. It will not even, if you're managing the U.S. Mint, buy a penny.
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If anyone comes to me, I want to lead them to Him.
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Living without hate for people is almost impossible.
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I've always thought that gaming and YouTube and the web is a very post-punk extravaganza.
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When I decided to go for four gold medals I planned it out over a few years. It was in four different events and there was a lot to it.
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Old age is not a disease - it is strength and survivorship, triumph over all kinds of vicissitudes and disappointments, trials and illnesses.
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I like to be surprised. The best writing is when it defies me, when it starts going a different way than I had planned.
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A coward is incapable of exhibiting love; it is the prerogative of the brave.
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It's a contract of connection to be in the same space and watch and listen to stories and be caught in them. When you're in a theater, your brain expands because somebody in the theater may do something or respond to something that you wouldn't have.
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Our abode in this world is transitory, our life therein is but a loan, our breaths are numbered and our indolence is manifest.
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When the Americans see someone like Steve Jobs or Mark Zuckerberg, who made billions thanks to their talent and determination, the first thing they say to themselves is, 'I want to be like him.' This, in many ways, is the engine that drives Western society: The desire to make it like the winners.
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We envy people we love for being always in their own loved company.
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A famous person to themselves, they don't get up in the morning and think, I'm famous. I'm not famous to me. Famous is a perception.
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ADMIRABLY BOLD. There's something grand about the film's sincerity and the intensity of its emotions and something fresh and bold about the way director Gray uses the conventions of romantic melodrama.
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The revolutionary sees his task as liberation not only of the oppressed but also of the oppressor. Happiness can never truly exist in a state of tension.
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I made my first film on 16mm. Then I began using 35mm.Then I began working in Hollywood. And I began to really understand how films were made by professionals. I have to say I wasn't very impressed.
