Theo Epstein Quotes
No one is immune to needing to sit or needing to go down at the right time, and you want to give guys a chance.
Quotes to Explore
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Snobbery just inhibits you.
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I think people like musicals. And when done with a modern comedic sensibility, musical comedy can be the most efficient delivery of both storytelling and jokes.
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All I came to Los Angeles with was a dream. No one from my family ever left Ohio.
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I really enjoy getting to go and play on other people's shows for an episode or two. It adds such variety to my repertoire.
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The new technologies that we see coming will have major benefits that will greatly alleviate human suffering.
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Even when I was a kid, I always showed up late for school every day. It got to the point where they had my late slips filled for every day of the school year in advance, so all they had to do was fill in what time I got there.
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I don't want or need to gain respect with what I do off the court. I want respect for what I do on the court.
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Who are we? We find that we live on an insignificant planet of a humdrum star lost in a galaxy tucked away in some forgotten corner of a universe in which there are far more galaxies than people.
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He who knows that enough is enough will always have enough.
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As a young child, I was never a crier. I never cried to get my way, or even when I was in pain.
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I wanted as little formal linguistic theory as I could get by with. I wanted the basic linguistic training to do a translation of the New Testament.
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We believe the most significant long-term application of bitcoin may be reducing the upfront cost of internet-connected devices to make them more accessible for the developing world.
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Any time you have an injury, it's going to be tough.
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I think I'm a songwriter. I grab an instrument to make my body a song, but I'm not a player as such, maybe a little more on guitar, but certainly not piano.
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There are still so many movies made starring 50 men and one woman! A white male actor should never be allowed to complain about anything. Shut up and sit in the corner. I mean, seriously!
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My personal philosophy is that people should be extremely selfish for the first half of their life and extremely unselfish for the second half because then they can do the most good.
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I am fully aware of the concept of political revolutions. After all, that is what we hoped might happen in the U.S.S.R. and Eastern Europe, but what actually happened was capitalist restoration.
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Mr. Balanchine wanted me to be myself. He didn't want me to look like anyone else. I love teaching our company dancers the Balanchine ballets. I try to give them what was passed down to me and what I learned from him. They dance it so beautifully. It also keeps me close to Mr. Balanchine. He's with me every single day.
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Imagine Americans who go to Paris. Why would you want to go where someone's going to disparage you? Why would you go anywhere where they treat you bad? Well, that's how it is for us to go to Mexico. You have to be on your guard, because I think the Mexicans are harder on the Mexicans, the Mexican-Americans. They don't see us as Mexican. I think part of it's a class issue and a color issue. We're more connected to their servants, so what are we doing staying at a nice hotel? There's a kind of shame.
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Insurrection, never so necessary, is a most sad necessity; and governors who wait for that to instruct them are surely getting into the fatalest course.
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It's interesting: I've been doing this since I was 17, and it's kind of weird to see yourself grow up on television.
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What we're doing is talking and that is always better than not talking.
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For people like me, I think it is more about, 'When do people give you an opportunity?' rather than you deciding about when you want to make a debut. If I had a chance, I would have come as a child artist in this industry.
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No one is immune to needing to sit or needing to go down at the right time, and you want to give guys a chance.
