Amelia Barr Quotes
When a man has calamity upon calamity the world generally concludes that he must be a very wicked man to deserve them. Perhaps the world is right; but it is also just possible that the world ... may be wrong.

Quotes to Explore
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You must learn from the mistakes of others. You can't possibly live long enough to make them all yourself.
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A lot of people go in and have to create their own characters, and they do fine with it.
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You are the only you. That means you don't lose roles to anybody else. There's no competition, so they either want you or they don't want you, and it's not that they wanted someone else over you.
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I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
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Every performer who ever performed in rock and roll or even close to it is lying if they tell you that they weren't influenced in some way or another by Elvis Presley. He turned the world around.
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With 'The Social Network,' I got into it at first because frankly I thought there was a cool courtroom drama to be had with the intellectual properties. And then what further drew me in was that the most extraordinary social networking device ever created was created by the world's most antisocial person. I liked that story.
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When we write about Auschwitz, we must know that Auschwitz, in a certain sense at least, suspended literature. One can only write a black novel about Auschwitz or - you should excuse the expression - a cheap serial, which begins in Auschwitz and is still not over.
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Spiritual practice should not be confused with grim duty. It is the laughter of the Dalai Lama and the wonder born with every child.
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I'm from the school of, 'if you want more, you have to require more from yourself.'
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My life has become a reality show. When I am home, people are climbing trees with cameras. I feel that my personal space is being encroached upon. I will try and protect it as much as I can.
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When I go home, I play with my baby dolls and strollers and diaper bags, and play with my sisters.
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I used to be fast and loose with the term 'country' because I didn't know what else to call my music. I still don't.
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My soldier weapon is the weapon of truth.
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I channel surf like probably most people.
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When you're in the middle of a pennant race, you can't go up there thinking about home runs.
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What bothered me most about chick lit, frankly, was how the term was used to dismiss a huge chunk of the bookstore as silly, girlish prattle.
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But when you work with the director and the real person who is playing opposite you, it changes everything. You are almost in a working session. I was very comfortable, and that's maybe what helped me to get the part.
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My parents really encouraged me.
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What counts isn't the frame, it's what you put in it.
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You practice and you get better. It's very simple.
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I try to give to my music the spiritual quality, very deep in the soul, which does something even if you are not realizing it or analyzing it - that's the duty of the music.
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She will look at you as women look at men, and she will judge you as women judge men - not on the strength of their arguments, and not on their cleverness or prowess in battle, but rather on the force of their character, the intensity of their passion, the strength of their soul, their compassion, and - ah, this above all - their conversation.
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So to live is heaven: To make undying music in the world, Breathing a beauteous order that controls With growing sway the growing life of man.
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When a man has calamity upon calamity the world generally concludes that he must be a very wicked man to deserve them. Perhaps the world is right; but it is also just possible that the world ... may be wrong.