Willem de Kooning Quotes
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Watercolors is the first and the last thing an artist does.
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What you do when you paint, you take a brush full of paint, get paint on the picture, and you have faith.
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Art never seems to make me peaceful or pure. I always seem to be wrapped in the melodrama of vulgarity. I do not think... of art as a situation of comfort.
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In art, one idea is as good as another. If one takes the idea of trembling, for instance, all of a sudden most art starts to tremble. Michelangelo starts to tremble. El Greco starts to tremble. All the Impressionists start to tremble.
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I have to change to stay the same.
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The past does not influence me; I influence it.
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Man's own form in space - his body - was a private prison; and that it was because of this imprisoning misery - because he was hungry and overworked and went to a horrid place called home late at night in the rain, and his bones ached and his head was heavy.
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Content is a glimpse.
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The 'Women' had to do with the female painted through all ages, all those idols, and maybe I was stuck to a certain extent; I couldn't go on. It did one thing for me: it eliminated composition, arrangement, relationships, light - all this silly talk about line, colour and form - because that was the thing I wanted to get hold of.
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I paint the way I do because I can keep on putting more and more things in - like drama, pain, anger, love, a figure, a horse, my ideas of space. It doesn't matter if it differs from mine, as long as it comes from the painting, which has its own integrity and intensity.
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In art one idea is as good as another.
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I read somewhere that Rubens said students should not draw from life, but draw from all the great classic casts. Then you really get the measure of them, you really know what to do. And then, put in your own dimples. Isn't that marvelous!
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The drawings that interest me most are made with closed eyes. With eyes closed, I feel my hand slide down on the paper. I have an image in mind, but the results always surprise me.
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The texture of experience is prior to everything else.
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Yes, I am influenced by everbody. But every time I put my hands in my pockets I find someone else's fingers there.
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I'd like to get all the colors in the world into one painting
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An artist is someone who makes art... He didn't invent it.
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I see the canvas and I begin... It's a necessary evil to get into the work, and it's pretty marvelous to be able to get out of it.
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The word 'abstract' comes from the light tower of the philosophers. One of their spotlights that they have particularly focused on 'Art'. [Abstraction was] not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.
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Art should not have to be a certain way.
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Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists. An artist is someone who makes art too. He did not invent it. How it started — "to hell with it." It is obvious that it has no progress. The idea of space is given him to change if he can. The subject matter in the abstract is space. He fills it with an attitude. The attitude never comes from himself alone.
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I don't paint to live, I live to paint.
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The point they (Lissitzky, Rodchenko, Tatlin, Gabo, the neo-Plasticists, and so on) all had in common was to be inside and outside at the same time. For me, to be inside and outside is to be in an unheated studio with broken windows in the winter, or taking a nap on somebody's porch in the summer.
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The idea of space is given to the artist to change if he can. The subject matter in the abstract is space.