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It's funny now how much we look at - whatever you want to call it: art, design, culture stuff, film - online, and how in the online world, you're instantly global.
Mike Mills -
I pretty much believe that a film is a film and when an audience watches a film, they finish it.
Mike Mills
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There is a drunkenness to grief, which is good.
Mike Mills -
Being a good Hans Haacke student, part of his influence on me is that there's no difference between a gallery show and a film - or even an ad and a T-shirt-in terms of cultural legitimacy. They're just different contexts in which to have some sort of communication.
Mike Mills -
I am intrigued by inanimate objects. They're a piece of history, someone's statement and ideas of life.
Mike Mills -
Over and over again, I'm trying to express or communicate these big and small struggles to the world, and really to myself.
Mike Mills -
To me it's like, every time I'm a director, like today, you're the captain of the ship, so you better dress like it. You're the host of the party.
Mike Mills -
Film is endlessly just beyond your reach. I think that's what I love so much about it.
Mike Mills
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L.A. is so isolated and unhip in a way; it gives you room to figure out who you are and explore more personal stuff.
Mike Mills -
We never did things as we were supposed to do. That was part of our ethic. We did what felt right to us, not what someone told us we should do.
Mike Mills -
My graffiti really comes more from a May '68, sort of Situationist vibe than the hip-hop world. I think a real graffiti artist would find me a poser.
Mike Mills -
I was so happy with my bow ties from the last kickstarted project that I'm back for more.
Mike Mills