Thomas Bulfinch Quotes
Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated.
Quotes to Explore
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Intimate relationships are a gold mine for literature to explore, to understand, to describe.
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I had no student friends to talk to about literature. My tutor was a really nice man, very charming - but he had no literary judgment.
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With 'True Grit,' the language was very specific, as is Shakespeare. You couldn't really improvise, nor would you really ever have to. I never felt the need to. It was all so beautifully written, and it was all right there.
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Perhaps no other body of literature is as subject to political pressures from within the community as gay fiction.
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I have the feeling of being a very small item on this planet, and literature enables me to express that.
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There are works of literature whose influence is strong but indirect because it is mediated through the whole of the culture rather than immediately through imitation. Wordsworth is the case that comes to mind.
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Learning another language is not only learning different words for the same things, but learning another way to think about things.
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The sea speaks a language polite people never repeat. It is a colossal scavenger slang and has no respect.
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Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language.
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The real being of language is that into which we are taken up when we hear it - what is said.
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Watch how you communicate with a woman. Because you're always communicating, even when you're not talking - with your body language, your facial expressions, your eyes.
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I try to write about how we live today, how we use language, technology, our bodies.
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Maybe Trump isn't a racist in private. But he's sure acting like one in public. And his body language is corroborating the evidence.
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II know a little about Greek mythology. It's not that far away from the Nordic mythology.
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I think literary theory has not been terribly good for English studies in a while. It's not that theory isn't interesting, but it isn't about books, or the idiosyncrasies and complexities of putting language together.
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Language is the mother of thought, not its handmaiden.
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If you can't hear language, you won't be able to understand language and experience normal development. Every minute spent without hearing is a minute a child is not getting back.
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I'm not driven by being understood.
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Full disclosure: I went to university as an eager young feminist for many reasons - to get away from my parents, to soak up literature and knowledge, to cease being a child, to expand my mind and my world.
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Language also encodes our past. We want to know who we are. To know who we are, we have to know who we used to be. Consequently, our literature, written in the past, anchors us in that past.
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Every language reflects the prejudices of the society in which it evolved.
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Theatre can entertain, provoke, challenge, investigate, comfort and educate. It's arrogant of a playwright to think education is more important than anything else. Writing for the theatre does not give you permission to lecture, hector or bore.
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Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated.
