Thomas Carlyle Quotes
Quotes to Explore
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We have groups that do that, but I can't rap with the mentality of an 18 year old when I'm in my 30's.
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Especially working in infectious disease, it's very interesting because these infectious diseases, these agents, they evolve over time. So it's very much an arms race and understanding how each changes to protect itself and to continue. And so it's very much this puzzle-solving but with this great urgency and importance in what you find.
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The man who has his millions will want everything he can lay his hands on and then raise his voice against the poor devil who wants ten cents more a day.
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A lot of hard work goes into making a film. It's not all fun time, as people tend to think. There are always stereotypes attached to every profession, but I found out this industry breaks them all.
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Atrial fibrillation has been the low man on the totem pole and so we're just trying to get more visibility about this particular disease and how dangerous this could be.
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In a strange way, I'm way more comfortable onstage than anywhere else.
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Joe Torre would tell you to make sure you can hit the ball on the outside part of the plate.
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That's the thing with sci-fi and action roles. You have to play the danger as real. If you don't, you end up with egg on your face. You have to commit. You can't think about how stupid it might look without the special effects.
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America needs to understand Islam, because this is the one religion that erases from its society the race problem. Throughout my travels in the Muslim world, I have met, talked to, even eaten with people who in America would have been considered 'white,' but the 'white' attitude had been removed from their minds by the religion of Islam.
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Summer boarders often left clothes behind, and of what use were they to the landladies, for no rag-and-bone man ever called at their houses. The truth of the matter was that in less than a week I was well dressed from head to foot, all of these things being voluntary offerings, when in quest of eatables.
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I went out of my way to try not to be an artist, because I thought I would end up leading a miserable, obscure life. I tried to escape it for as long as I could, until I had to admit at 25 that that was my path.
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On the tour we get a case of beer on the bus every day from Ozzfest.
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Sometimes, once a fight starts, you have to do what you have to do to win.
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I've made four films about the destructive nature of relationships, of secrets and lies, and I think I'm no longer interested in that subject - which is a wonderful relief.
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I love my fan base because they never high-five me; they always get really shifty and hide. Adam Sandler's fan base are like, 'Hey!' and high-five him and want to hang out, but mine go behind pillars and get really freaked out.
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As we get older, we tend to think it is less OK to be vulnerable and to feel what we feel. It's kind of bull. We all still feel things pretty deeply. It just becomes less socially acceptable to express that.
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Sometimes when Australians go overseas, it's as though the 'Aussie' is refined out of them. I don't know why. It's never happened to me, because I'm really proud of it. I'm not embarrassed about where I'm from or who I am any more. I know who I am. I don't fit in everywhere, but I know where I do fit in.
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The thing about art for me is that you can go on theorising your work forever, because it's open to interpretation.
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I used to go to the Hollywood YMCA when I first came here, and I was standing in front of the mirror doing curls, and I noticed this guy next to me also doing curls. He was grimacing a lot, and I noticed he had an underbite. I looked more closely and realized it was Bruce Springsteen.
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I studied the cello for a long time, from when I was little up through college.
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The '80s was the time for the great so-called modernization in Spain. It was a moment when it seemed that everything was breaking up and moving fast into modernity.
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Until I separated from Parker, I had never been without them-and it's the hardest thing to share them. But we're trying to give the children the semblance of having whole lives.
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My family was going back to England to visit my mother's grandmother, who was very ill. We went up to Liverpool and I met my great-aunt, who was just a force of nature. She was an elocution teacher and a huge enthusiast for theater and the classics. I took her amateur acting class, and she was really impressed with me.
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Speech is of time, silence is of eternity.
