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You go overseas and people are oppressed and scared and worried but we're not like that... we're more like my films and how people come out at the end of seeing them - they feel good.
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It was always easy for me. I was born very rich and lucky.
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The obsession required to see a feature through from concept to release is not a rational thing to do with your brief time on this planet. Nor is it something to which an intelligent person should aspire.
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If government and media and all of us in the Australian tribe got together, and the rock industry, we'd just be the greatest cultural force the world has ever seen - we're such an amazing race.
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In a kind of a way there's a bit of that happening now so we have to be careful to preserve our culture.
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I just wanted to do this all Australian film and we didn't want to give creative control to overseas 'cause whoever comes on my sets, whether you're sweeping the floor or an actor, it doesn't matter who comes up with the ideas, it's a collaboration.
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The American formula things are out there but they don't have any stories to tell - we have all the stories to tell - but they're all formula.
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Three years after starting, by physically doing everything from raising the finance to special effects, we'd finally cobbled together our low budget film.
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