Adrian Hodges Quotes
On a simple level, you need directors who are good at action and can choreograph an action scene, but you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It's a very big thing.
Quotes to Explore
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As I'm writing, certain things become clear to me and certain things begin to feel right and make sense. The pieces start to fall into place.
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I think luck is a great part of it because I think that the particular makeup of the person that you are attracted to, and that you fall in love with, is very important. Even down to that old bromide of a sense of humor and all of that.
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My dad was a journalist. He was in Rwanda right after the genocide. In Berlin when the wall came down. He was always disappearing and coming back with amazing stories. So telling stories for a living made sense to me.
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One of the most beautiful passages of Rousseau is that in the sixth book of Confessions, where he describes the awakening in him of the literary sense. Of such wisdom, the poetic passion, the desire of beauty, the love of art for its own sake, has most.
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I love that sense of release as you throw yourself into the crowd as hundreds of arms are carrying you.
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People miss those who they love. It brings tears to my eyes to see the longing for me. But it's my decision to do fewer films and more protagonist-based roles. For me to take up something, it has to make a lot of sense to me.
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I love Andre 3000 from OutKast. I think we'd complement each other, but I'm hoping he's got a good sense of humour.
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I think Hillary is going to be more hawkish perhaps than Obama. Perhaps more hawkish than Trump. Trump, though, is really a windshield wiper. He says one thing that makes sense and then says something that doesn't make sense.
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May the conscience and the common sense of the peoples be awakened, so that we may reach a new stage in the life of nations, where people will look back on war as an incomprehensible aberration of their forefathers!
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You have a whole life in the outdoors, you realize you have a sense of responsibility to protect these wild places.
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Children who are accustomed to being treated well internalize that treatment and have a permanent sense of well-being. But children whose every need is instantly gratified and who are constantly praised to the skies do not have the same sense of well-being; rather they may feel despair or rage when that gratification is withheld, or when everyone doesn't glorify them in the same way.
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It seemed to me as we were talking about Christ rising from the dead, the sun popped over the mountain. That was indicative of Christ rising - a new day. It just makes sense.
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The thing I don't like on television is when somebody does something that makes absolutely no sense just for the shock of it.
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If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.
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Some directors, like Stevens [George Stevens], shoot full circle, 360 degrees, and that's what's right for them. I generally shoot at about a seven to one ratio. But part of that is because I've worked on every screenplay, so I'm further along in the visual concept.
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Once the Western mind was disconnected from its sense of divine responsibility and genuine reverence towards nature, all hell broke loose. And that's where we are.
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The thing that has always baffled me about people's perception of my writing is the sense that I'm a very controversial, opinionated, polarizing person. I feel like I write about things that I'm interested in, and I describe why they're interesting to me. I could be negative, I guess. It's far easier to write why something is terrible than why it's good.
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To be a spiritual warrior, one must have a broken heart; without a broken heart and the sense of tenderness and vulnerability, your warriorship is untrustworthy.
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There is a sense of feeling larger than your own life when you're in some common mission together. You have to hope it's not going to take a war to bring that back to America again. I think another time when it seemed to be here was in the early 1960s.
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Instruments and playthings are sense and spirit: behind them there is still the Self. The Self seeketh with the eyes of the senses, it hearkeneth also with the ears of the spirit.
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I am convinced that in the arts, committees are useless.
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Your gender identity is who you are. Sexual identity is who you bounce that off of.
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On a simple level, you need directors who are good at action and can choreograph an action scene, but you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It's a very big thing.
