Mikhail Khodorkovsky Quotes
What's important to me now is to uphold my good name and achieve a fair court decision - the past cannot be recovered anyway.
Quotes to Explore
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How small a part of time they share, That are so wondrous sweet and fair!
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The main objective of our cinema is to entertain. If you can pass on a message at the same time, that is fantastic, but if the audience does not feel they are going to be entertained by the film, they are not going to watch it. There are many examples of very responsible and great films that are being made, but nobody goes to watch them.
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'Envy' was a bit of a challenge for me. It was smooth.
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The rehearsal is where it all happens for an actor.
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It's very easy to have slogans and rhetoric that people will follow, but eventually the slogans fall away.
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Indian classical music was born when time barely existed. It developed further within the structures of royal courts and a system of patronage where the ruler or the feudal master determined all.
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I am healthy and happy.
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I had studied theater for three years in London when someone suggested me for the role.
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I have always compared our traditions of liberty, like those of Abraham Lincoln and Ho Chi Minh.
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If you're into a leather-jacketed crime fighter and his artificially intelligent robotic supercar, tune into 'The Good Wife.' If, on the other hand, you prefer the misadventures of a freelance itinerant trucker and his simian sidekick, check out 'The Walking Dead.' Or DVR them both and go talk to your family.
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Baseball is ninety percent mental and the other half is physical.
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You should take notes whenever you hear interesting or original language.
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I like a lot of sports. Especially football - it's my favourite sport. My uncle played football in Barcelona for nine years and played for Spain in three World Cups.
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Nuclear weapons continue to occupy a unique place in global security affairs. No other weapons, in my opinion, anyway, match their potential for prompt and long-term damage and their strategic impact.
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If a film is very clever and well-written, that's what gives you freedom as a director.
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I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables. There's something interesting and funny and perverse about the way fairytale sometimes passes for history, for truth.
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Most inventions are based on some prior history.
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Whenever there was a pause on the 'Hercules' set, everybody whipped their Blackberries out of their skirts - 'Are you texting the King of Thrace to tell them we're on our way?'
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When I was a child and came with my elders to Galway for their salmon fishing in the river that rushes past the gaol, I used to look with awe at the window where men were hung, and the dark, closed gate.
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A fire in a forest is alive with terror and power.
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I co-wrote and produced 'Sticky Fingers' with Catlin Adams, who directed it. I learned a lot writing and producing with Cat. I spent as much time as I could in the cutting room with her. All the producing experience that I had helped.
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True nostalgia is an ephemeral composition of disjointed memories.
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I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
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What's important to me now is to uphold my good name and achieve a fair court decision - the past cannot be recovered anyway.
