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Thinking has an understructure and underpinnings.
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People always understand everything in retrospect.
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The tree is made by nature, mathematics by people. And combining the two is creating this beautiful alliance between humanity and nature. That's why my forests are mathematical expansion systems, all of them.
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Anything important has to be almost invisible. And underrated. So the understructure should be underrated, but strong enough to hold the earth.
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My work is about helping humanity.
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People are always fighting reality until it's pushed down their throats.
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Most wonderful things are unconscious.
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People have too many problems during the day; they don't want to think.
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Public art existed all along, but ecological art just naturally grew out of my thinking and writings in that area for years. I didn't get involved in it; I started what then became a movement.
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Society likes to file you away, put you in this or that category. And I never fit any category. Maybe that's why I was left out of a lot of things, or why my work was not really understood, because there was no precedent for it.
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Every one of my works, when I'm looking back, becomes some kind of solution, or something to concentrate on. Something to pay attention to and maybe change direction.