William Friedkin Quotes
In the case of a film like The Exorcist or To Live and Die in L.A., I saw the whole movie in my head before I went to shoot it. I never did storyboards, or anything like that. I had the film in my head.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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But the process of making a film is not glamorous. Certainly not my films.
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Film has to describe and show.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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Film has played such a big part in my life, in my impressions of the United States.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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It would be great to make a movie that had the style of a great '30's film.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Going to the movies was a big event in my youth. My father would be the initiator – he'd have me put on a jacket to see a film.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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I think if you're going to remake a film it should be something that was a good idea, but wasn't executed well. There isn't anything I would like to remake. I have too many of my own ideas I want to make.
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That film What's My Line was very useful to me because it had Branch Rickey in a social situation. Every other bit of film that I had was him making a speech.
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I knew that I was a gay boy fairly early; what was interesting to me was that my mother didn't know. She made me play baseball - I had no desire to do that. I said, 'Mom, I don't like direct sunlight, I don't like bugs, I don't like grass, and I'd rather be in the house playing with your fabric samples.'
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In the case of a film like The Exorcist or To Live and Die in L.A., I saw the whole movie in my head before I went to shoot it. I never did storyboards, or anything like that. I had the film in my head.
