Mirai Nagasu Quotes
Quotes to Explore
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Student cartoonists as well as professionals should always be careful that they're not doing a cartoon that already has been done.
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John Updike is always fun. And one of my former students, Tom Pynchon. And Harold Bloom, another former student.
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I'm a student of the movies. I'm a student of all media. This is what I do, and I like to immerse myself in what's current and what's topical. And I find that I'm drawn to those things.
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I became a student of the history of religion. I am fascinated by how religions often center on mystical experience, and in the Old Testament tradition you find flames, the burning bush.
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'Breathe In' was such a big deal for me. It was my first anything. Before that, I was going through 'Backstage Magazine' and applying for student films.
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While I was at Cornell in engineering, I was an engineering co-op student, and that turned out to be very valuable because we'd go out every other term to work in industry and have that close association with industry.
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As a drama student I got into Thirties and Forties suits.
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I came when I was in high school as part of a student exchange program with the Jewish Community Center in New Jersey, to Ramat Eliyahu. You come and volunteer for five weeks at a day camp. I was a teenager - I couldn't really appreciate it as much, and now I come back as an adult and I can really get the flavor of the city, and I love it.
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'We Will Rock You' is one of my favorite shows. I first saw it when I was a student at the Royal Academy and loved it.
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We aspire to be equal opportunity, but all across the country where a student is born, their race, their class affect where they end up.
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Judge: a law student who marks his own examination-papers.
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I felt like I was a teacher. But nowadays, I am as much a student of his. He writes a lot of what we play.
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My wife Victoria Harwood was art director on 'Far North,' and she had designed my student film, 'The Sheep Thief.'
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I wasn't the kind of student that Pratt was looking for. They wanted patient people who would work on something forever. I didn't want to work on any project forever. I intended to get things done.
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I think the hardest thing to teach a student is that what he or she puts down on paper is changeable. It's not the final thing, it's the first thing, which may just be the suggestive, vague identification of something that you have to come back to and rewrite.
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If I give a student one-fourth of what he should know, I expect him to get the other three-fourths himself, otherwise I do not want him as a student.
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When the student is ready the teacher will appear.
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When one gives whatever one can without restraint, the barriers of individuality break down. It no longer becomes possible to tell whether it is the student offering himself to the teacher, or the teacher offering herself to the student. One sees only two immaculate beings, reflecting one another like a pair of brilliant mirrors.
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The superior student listens to the Way and follows it closely. The average student listens to the Way and follows some and some not. The lesser student listens to the Way and laughs out loud. If there were no laughter it would not be the Way.
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I only know two pieces; one is 'Clair de Lune' and the other one isn't.
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A writer doesn't really have much of a function on a movie set.
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V.L.A.D.: Vampire League Against Discrimination.
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I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.
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I've always been an A or B student. When I get a B, I freak out a little bit!
