Miriam Toews Quotes
Quotes to Explore
-
I think as a student I ended up liking so many different and conflicting things.
-
I consider a work of art as a product of calculations, calculations that are frequently unknown to the author himself.
-
I want to live for something. I don't want to live to get charity food to give me enough strength to go back to get more charity food.
-
To me, my recipes are priceless.
-
Harry can paint but I can't. He has our father's talent while I, on the other hand, am about the biggest idiot on a piece of canvas. I did do a couple of drawings at Eton which were put on display. Teachers thought they were examples of modern art, but in fact, I was just trying to paint a house!
-
I think our guys see that they can compete here. That's a big step for a young ball club. Our guys are learning and we're getting better with each game.
-
I count myself in nothing else so happy as in a soul remembering my good Friends
-
And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.
-
Love is the oxygen of the soul.
-
All the words are already there when you're singing onstage, it's fantastic. You can lose yourself in what you've created. You're controlling this freedom.
-
I just always loved watching the History Channel and stuff like that. I could come home from school and just watch it all day. It just interested me.
-
I was from North Carolina, so as a youngster all of my mind games about golf were always, 'If I make this I win The Masters, if I hole this par putt I win The Masters.' So it was a great thrill to play there.
-
I don't just want a piece of you and a piece of your life. Even if you were able, which you are not, to give me the biggest piece, that is not what I want. I want all of you and all of every part of you and your day.
-
There is often seen this anomaly in women, especially in those of childish natures,- that they possess at once great promptness and unskilfulness in falsehood.
-
David Bergen is a master of taut, spare prose that's both erotic and hypnotic. . . .
