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The idea of being a painter, I've always thought, is better than being an artist or a sculptor.
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Being best is a false goal, you have to measure success on your own terms.
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Painting is so poetic, while sculpture is more logical and scientific and makes you worry about gravity.
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It's amazing what you can do with an E in A-Level art, a twisted imagination and a chainsaw.
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It'd be nice to make lots of money but it's quite difficult, because every time I make lots of money I make a bigger piece that costs lots of money.
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People always say that my work is sensational or shocking but there are truly shocking things you could do, and my sculptures don't go anywhere near that.
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No, I don't believe in genius. I believe in freedom. I think anyone can do it. Anyone can be like Rembrandt.
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Picasso, Michelangelo, possibly, might be verging on genius, but I don't think a painter like Rembrandt is a genius.
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I think an ashtray is the most fantastically real thing.
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I always feel like the art's there and I just see it, so it's not really a lot of work.
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I was taught to confront things you can't avoid. Death is one of those things. To live in a society where you're trying not to look at it is stupid because looking at death throws us back into life with more vigour and energy. The fact that flowers don't last for ever makes them beautiful.
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I always ignore money.
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I always feel a bit trapped when a painting goes for millions of pounds and only one person can have it. If you can have that as well as a poster on every student's wall, then you're in a very enviable position. I'd like to do a Damien Hirst for £500 at some point.
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People don't like contemporary art, but all art starts life as contemporary - I can't really see a difference.
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But the answer to how to live is to stop thinking about it. And just to live. But you're doing that anyway. However you intellectualise it, you still just live.
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I've been asked to do a retrospective since I was about 28 and I always thought that was a bit odd. It's great to look forward as an artist because in the future the possibilities are infinite; you look back and it's all fixed so it's a scary thing.
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The spot paintings and spin paintings were trying to find mechanical ways to make paintings.
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There's no possible way you can get what you want.
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'Painting like a child' isn't a negative for me... it's something only great artists can really achieve. The childlike quality of some of Picasso's drawings is precisely what makes them so masterful and extraordinary; the ability to express complete visions, feelings and portraits through a continuous line.
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I made one untitled piece.
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As a father, I would say I am more like a mother. I do a lot of hugging.
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I think money is important for everyone, because the lack of it is so painful.
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The difference between art about death and actual death is that one's a celebration and the other's a dull fact.
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I can’t wait to get into a position to make really bad art and get away with it. At the moment if I did certain things people would look at it, consider it and then say 'f off'. But after a while you can get away with things.