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The moment right now, it's a tragically regressive time we live in, you know. We just grounded the Concorde. Where's the future? We've lost the future.
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I'm so extremely well prepared for negative response, I've taken precautions.
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My purpose isn't to be confrontational. My purpose is to find out about the world and play myself against it to the extent that it is even conceivable.
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I've gotten all kinds of reactions and it's been used in so many different ways.
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I'm depending on other people to take the work and run. And if they run in so many directions, they sort of cancel each other out. So the meaning is always open.
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You pick people, and they pick you sometimes. It's especially great to connect with people you think you have nothing in common with.
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Of course, I'd welcome protest. Good criticism is hard to find.
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Seeing your work go into storage in an art museum is obviously a tragedy of any cultural product - which doesn't mean I am anti-institutional.
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I'm neither shy nor impressed by media and press. It's just another industry to me. My response to the criticism was, "I work with a steel factory. Why can't I work with the media?"
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I wanted to contribute to the landscape tradition in art. By now I guess we are comfortable with the thought that man has been everywhere or affected everything in nature.