Missi Pyle Quotes
I started performing in high school. There was a pretty great drama department at my school, and that's when I started doing plays and musicals.
Quotes to Explore
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Fishing provides that connection with the whole living world. It gives you the opportunity of being totally immersed, turning back into yourself in a good way. A form of meditation, some form of communion with levels of yourself that are deeper than the ordinary self.
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'Sister Act' was my first audition out of school. I was 21 and cast as the understudy. It was non-Equity, so I lived in L.A. on $300 a week. I did that for a month and then came to New York to do a couple of gigs, including 'Hair' in the park, before going to London with 'Sister Act,' where I played the lead.
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I'm not a sun person.
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I believe in social dislocation and creative trouble.
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Just as soaps were very pivotal in the transition from radio to television, they will be right in the thick of things again in the transition from television to the Internet. Exciting news.
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I'm a musician. I'm not, like, a personality. I've never really pretended to perform that kind of function.
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The gravest risks from al Qaeda combine its affinity for big targets and its announced desire for weapons of mass destruction.
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I rush to add that I find the Web infinitely useful for rustling up information, settling arguments or locating the legends of rock stars.
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South Africa is highly politicised; even small issues become politicised, and it becomes quite bitter.
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If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.
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My commitment to the Republican movement was pure and simply patriotism, a love of Australia... a desire or passion that all of our national symbols should be unequivocally and unambiguously Australian.
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Back in 1975, we were making all the decisions about what people were going to watch.
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I want to go to film college to learn about the departments and how everything works. Then I'm going to start directing.
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According to my principles, every master has his true and certain value. Praise and criticism cannot change any of that. Only the work itself praises and criticizes the master, and therefore I leave to everyone his own value.
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I don't have goals in life.
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I don't have parts of my body that I hate or would like to trade for somebody else's or wish I could surgically adjust into some fantasy version of what they are.
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We won't tolerate abuses and crimes made every day in the name of freedom of speech. That is freedom of extortion and blackmail.
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I would never shoot down any opportunity to challenge myself or stretch myself.
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Two years after drama school, I had a nervous breakdown: I heard voices, and the voice I heard in my head was Martin Luther King's.
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That was like my safe place with great teachers where everyone could let down their guard and not feel judged. As soon as we walk outside, it was like, 'Look at these weird drama club kids.' But we all had our own agreement that we were cool in our own way.
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We followed the law, we follow our policies, we self-report, we identify problems, we fix them. And I think we do a great job, and we do, I think, more to protect people's civil liberties and privacy than they'll ever know.
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We had this party in New York, and there were a lot of gay men there dressed up as the characters. I showed up just looking like myself, but it was a real case of shame. They looked so fantastic. We could never quite live up to it.
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I started performing in high school. There was a pretty great drama department at my school, and that's when I started doing plays and musicals.
