Harrison Ford Quotes
Acting was a way out at first. A way out of not knowing what to do, a way of focusing ambitions. And the ambition wasn't for fame. The ambition was to do an interesting job.
Quotes to Explore
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The views of religious-Zionist rabbis are of course worthy of being heard, yet they represent a very defined and very narrow camp within the Israeli spectrum. This is not the way to shape the perception of future division and brigade commanders.
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I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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The quickest way may not necessarily be the best.
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One, I push my deadlines closer than anybody else, or let's say it this way: I'm really late.
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I'm thankful I grew up the way I did. It made me a hard worker and insightful to other people's lives.
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In journalism, we recognize a kind of hierarchy of fame among the famous. We measure it in two ways: by the length of an obituary and by how far in advance it is prepared. Presidents, former presidents, and certain heads of state are at the top of the chain.
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My center is giving way, my right is in retreat; situation excellent. I shall attack.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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All labels are offensive in some way.
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I actually used to smile a lot in pictures. I think I only stopped smiling when I got into fashion. Fashion stole my smile!
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You can't achieve anything without getting in someone's way.
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Fame is easy to acquire; impact is much more difficult.
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When I first decided I wanted to make beats and write songs and stuff like that, it wasn't like I sat down and the first thing I wrote was even halfway legit. It took a while to find my way through it.
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When I started to work with UNICEF, it was a new way of giving some love and care to the world.
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It's such a paradox. You come from this place where you want fame; you don't want to be bourgeois, but you want to be successful. You want to be accepted, but you also want to be going against the grain. You want to be on the outside, but you want to be on the inside.
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'Polytechnique' changed everything in my way of working. I became an adult, really, during those five years. I didn't work on anything else but 'Polytechnique.'
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When you first get fame, you're so insecure that you just become a ding dong.
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I never accepted the idea that I had to be guided by some pattern or blueprint.
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The interesting thing is that in everyday life, I fail to see the most ordinary things. I often stumble and sometimes I even fall over. But when I draw or look at a painting, I go into a sort of overdrive and just see things differently than other people.
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Further, I'm obsessed with how language contorts and creates bodies.
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Besides entertainment and action, I want to educate. You know, as a producer or director, we do have a responsibility to society.
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Acting was a way out at first. A way out of not knowing what to do, a way of focusing ambitions. And the ambition wasn't for fame. The ambition was to do an interesting job.
