Harrison Ford Quotes
Quotes to Explore
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I always try to keep a little bit of space in the year to work with other people. Because I love doing musicals, films and plays - projects where I'm not in charge, where I've got somebody else telling me what to do and I have to work with their vision.
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It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
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I think polo players are at their best in their 30s. You've got the talent and the experience. You play with your head - you learn to lose and how to win.
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When nature has work to be done, she creates a genius to do it.
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I'd hopefully work through all my issues with men first so then I'd be okay being with a woman.
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I got the travel bug when I was quite young. My parents took me and my sisters out of school and we travelled all over Europe. It was an eye-opening experience and, although I love Norway, I also enjoy visiting new countries. I don't get homesick.
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There are programs that don't work.
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We tried every single way of giving birth. It didn't work. I wasn't too crazy about having to do a C-section and take all the drugs. Finally, I just had to be like, 'Let it go.'
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I try to take the time to appreciate and I certainly do appreciate and I do feel proud but that is probably one of the things I need to work on, building a bit of time for myself.
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The drills we do, where you're telling kids to memorize things, don't actually work. What works is engaging them and letting them do things and discover things.
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A twenty-one-year-old writer is likely to be inhibited by a lack of usable experience. Childhood and adolescence were something I knew.
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People know not to mess with my friends or my family because it's not going to work out well for you.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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Each show comes with its own set of problems to work through.
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I believe that we are going to have a much deeper appreciation of what kinds of abnormalities in cancer cells and in the surrounding cells that feed and respond to cancers are vulnerabilities that will allow us to make better predictions of which kinds of drugs will work to treat these cancers.
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You find me at work; excuse the dust on my blouse. I sculpt my marble myself.
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I like to space out my work.
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As it stands, motherhood is a sort of wilderness through which each woman hacks her way, part martyr, part pioneer; a turn of events from which some women derive feelings of heroism, while others experience a sense of exile from the world they knew.
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Television used to be made much more in a vacuum; the only feedback the audience had for a long time was in a Nielsen number that would arrive sometime after the show had been broadcast. And now, people are just completely engaged on so many levels, and I think that you have to find a way as a show creator to follow your own compass.
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People in the tech community may not like politics because it seems less interesting or less pure than what they're doing. But you see the result of not caring about politics. This is no longer an abstract problem.
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I monitor the food my players eat on a Friday night. It's no good if they've had two vindaloos and a kebab.
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People talk of the courage of convictions, but in actual life a man's duty to his family may make a rigid course seem a selfish indulgence of his own righteousness.
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An actor only has his own understanding and experience to work with.
