Imelda May Quotes
One thing that did get me into a lot of different types of music was when I was very young, the local record store went out of business and they were selling off all the vinyl. I remember going in – I was probably 16 or 17 and I'd just gotten a record player as a present. It was like hitting the jackpot: all these records for $3 apiece.
Quotes to Explore
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My first Comic-Con was when I first met Joss Whedon: He introduced me to that world and I'd never been to a convention before that. He and a bunch of the 'Buffy' and 'Angel' writers were all going down in a big van and he invited me along.
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I get motivated by the fact people are following me, that they want a photo or say 'vamos' or 'Canelo.'
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It seemed to me that the real philosophical breakthroughs of the 20th century were in terms of the understanding of language. What is language? Where does it come from, how does it work, what does it do?
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My parents never got carried away with the extraneous elements of being in the business.
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Coming to Nashville has been so motivating and inspirational. Just watching people live and breathe their music and create something that they can feel from start to finish.
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My specialty is two things: music or really strange stories.
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If everything gets too serious for me on the album, I get kinda bored. I've got to have some kind of jovial things in there.
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With Ghost Tunes, you just try to do what's right. And what's right is whatever the copyright owner wants to do with their music, they do it.
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And once the music is out there, when you're selling a record and selling music and people are going to do whatever they want with it, it's kind of hard to resist certain opportunities, especially in the record market now.
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Music is an art that touches the depth of human existence; an art of sounds that crosses all borders.
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My camps are always ten weeks. That's what makes me comfortable.
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After all, the chief business of the American people is business. They are profoundly concerned with producing, buying, selling, investing and prospering in the world.
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I read Carver. Julio Cortazar. Amis's essays. Baldwin. Lorrie Moore. Capote. Saramago. Larkin. Wodehouse. Anything, anything at all, that doesn't sound like me.
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To me, charity often is just about giving, because you're supposed to, or because it's what you've always done - or it's about giving until it hurts.
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But I really believe that you don't do music because you want to, you do it because you have to.
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No man has a right to expect to succeed in life unless he understands his business, and nobody can understand his business thoroughly unless he learns it by personal application and experience.
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I wish the music business was a much easier thing, but you know what? Nothing easy is worth anything. So it is what it is. There comes a time when things can work out and everybody can be happy. And that's what it's all about in the end - everybody being happy and working it out.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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When I started getting so many haters and closed doors, I decided to prove that it could be done. I was a divorced single mother of three at the time and a size 12 - not your typical model artist that labels feel work for the music industry.
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For many, immaturity is an ideal, not a defect.
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I'm always thinking, 'What next,' even while working on one play or shooting for a film.
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My head is in the game! Like 'High School Musical' taught me. I know what I want, and I know, too, now that you take your craft seriously, but you don't have to take yourself seriously.
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We can't change anything until we get some fresh ideas, until we begin to see things differently.
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One thing that did get me into a lot of different types of music was when I was very young, the local record store went out of business and they were selling off all the vinyl. I remember going in – I was probably 16 or 17 and I'd just gotten a record player as a present. It was like hitting the jackpot: all these records for $3 apiece.
