Carl Honore Quotes
Warnings about children being overscheduled, racing from one enriching activity to the next, first surfaced in the early 20th century.
Quotes to Explore
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Clothing and makeup and hair and all of that so much indicates the kind of person you are inside and the person you are presenting on the outside. Sometimes they are in conflict, and sometimes they are the same. That psychology of the exterior informing the interior is just so interesting.
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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People my age don't always know where their music comes from.
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I've always been an underdog. I feel like I beat the odds.
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All my friends are like, 'Can you be on my side in the zombie apocalypse?' and I'm like, 'I got this.'
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I think in the lifetime of a tennis player there are many times where you feel that tremendous confidence.
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I know she would want me to still do what I'm doing, because she kept me going a lot of times when I'd almost lose interest in getting out on the road.
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Grant that the true organ with which the beautiful is apprehended is the imagination, and it follows that all arts are likely to affect the feelings indirectly.
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Every time I touch the ball, I think I'm going to go all the way. I think I'm going to score a touchdown. I'm the runner I am because I think that I'm going to go all the way every single time I touch the ball.
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In rough times, pathfinders rely on work, friends, humor and prayer. They develop a support network.
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If you tell the truth you get into trouble, and that's why politicians are extremely dull.
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The nearest approach I have ever seen to the symmetry of ancient sculpture was among the Arab tribes of Ethiopia. Our Saxon race can supply the athlete, but not the Apollo.
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You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.
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I'm more comfortable revealing myself than hiding behind metaphors. I respond to artists who reveal something of themselves.
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I always like to play roles where I either love the character or think that it's a story that I can tell better than anyone else. There are always reasons for me to do whatever I do.
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I like second chances. I've given people second chances. You have fall-outs with friends, and forgiveness is a great thing to have. It's not easy to forgive. I definitely don't forget, but I do forgive.
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People lived in the same apartments for years. You'd meet a group of kids in kindergarten, and you'd still be with them in high school. No one ever left the neighborhood.
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My biggest asset is not cash - it's a large, growing, devout fanbase.
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I fear that the migratory crisis signals the beginning of the end of women's rights.
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I'm not sure if a writer should talk about themes. Themes arrive out of the deeper structure and concerns, but to me, the main thing is getting it down right, writing about specific characters in specific predicaments, and finding a way to be true to the story itself, not only in the first burst of draft but in the revision, too.
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I love all my children, but some of them I don't like.
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Instead of seeing these children for the blessings that they are, we are measuring them only by the standard of whether they will be future deficits or assets for our nation's competitive needs.
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Warnings about children being overscheduled, racing from one enriching activity to the next, first surfaced in the early 20th century.
