William Shatner Quotes
Quotes to Explore
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I didn't really like my Sydney accent - nobody likes the sound of their own voice - and when I was a little younger tried to change my accent gradually. But I've only ever really lived in Sydney and Los Angeles, so I haven't been influenced by the accents of some far-off land.
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The nice thing is that, at least in Los Angeles, I'm known as a character actor and I do auditions for other things besides just cartoon shows.
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I don't know my armpit from my elbow in Los Angeles.
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It really matters whether people are working on generating clean energy or improving transportation or making the Internet work better and all those things. And small groups of people can have a really huge impact.
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Life within the Kremlin was shrouded in impenetrable secrecy.
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I don't know that many Australian actors in Los Angeles, but there are a few of us. I mean, we kind of get together occasionally, but I wouldn't say it's an alliance or anything like that.
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I would fly to Los Angeles just for a cheeseburger with pickles and extra tomatoes from In-N-Out.
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In Los Angeles, you drive around, and you're coming back from a club or something, and all of a sudden, you'll encounter a coyote. And they're very lean, hungry-looking animals.
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At Johnny's suggestion I pursued a career in radio that eventually brought me to Los Angeles.
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I am from Pomona, California. I was born in Los Angeles.
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Missing Persons was based in Los Angeles.
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I made two rings for myself, and when I was in Los Angeles, I walked into a store called Maxfields, and they essentially bought them off my hands.
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You don't just leave Los Angeles. Such a departure requires magical intervention. You can't simply purchase a ticket to another destination. You must disappear.
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To me, if you are in the same building with Peter Sellers or John Cleese, or any of those guys and holding your own making other people laugh, that’s a compliment.
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The world's saddest man will live here in Los Angeles.
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I'm opinionated. I always stick to my design plan. I don't waver.
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I always felt a love for music, but I never got my nerve up enough to try a musical instrument in school.
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Six years after I wrote the first draft of 'Plan B,' I received my first paycheck as a writer. It included both the $3,000 in deferred option money as well as half the fee for performing the initial rewrite. The amount was scale according to the Writer's Guild guidelines, but a lot, according to me.
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I'd love to work with Tweet. She's my favorite singer, and I'd love to do a song with her even though she's out of my league.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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I think the real problem is that nobody buys albums anymore, so you don't get the depth of the artists that are out today. What you get is whatever they felt is politically correct to get on there and actually make some impact. I think that's where you're losing your depth. You're only getting the very top of everything. It really bothers me.
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When I write for an album, I'll always have about 30 different types of instrument around me. I set them up in a small room with my computer running GarageBand, which is always set to record.
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I love living in Los Angeles.