Tom Wesselmann Quotes
I'd never painted anything before. I was quite content to take other people's work since I didn't care anyway about the subject matter. I approached subject matter as a scoundrel. I had nothing to say about it whatsoever. I only wanted to make these exciting paintings.
Quotes to Explore
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There is surely nothing other than the single purpose of the present moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there will be nothing else to do, and nothing else to pursue. Live being true to the single purpose of the moment.
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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I love Tig Notaro; I just think she's so awesome.
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I try to do two moot courts for every Supreme Court case (and one to two for courts of appeals), and to ensure I am being mooted by people who know the Supreme Court well and are coming to the case fresh.
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I grew up in a village of 12 houses. We had a well and a cow.
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I could imagine actually being a scientist or a detective, but not a detective who puts his hands into gory, bloody things. But more like someone who figures things out. I like to figure things out.
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Pummeling an answer out of someone never works. You cannot intimidate someone with aggressive language and think they'll be more forthcoming... that's a caricature of interrogation, part of the TV culture of what it looks like.
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You learn to control every aspect of your muscles, your face, your toes, your fingernails. And that is how you tell a story, through movement.
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I've said that playing the blues is like having to be black twice. Stevie Ray Vaughan missed on both counts, but I never noticed.
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I think everybody knows my sound because I'm me, you know? But, on your fourth album, I think you've definitely gotta show growth because I definitely don't plan on being one of those cats that fade off. It's always about growing with me; I grew up over the years.
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Your first duty as a writer is to write to please yourself. And you have no duty towards anyone else.
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Lots of people think the violence in the films I make is overwhelming, but they think they're seeing something that they aren't seeing.
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I don't necessarily like being defined by my profession.
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My family is more a sports family, and I figure skated for a very long time, so movement and how I relate to movement is very integral to my process.
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Now I'm going to show a side of me I haven't shown before. I'm going to be fierce.
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To deny the predictive validity of race at this level is nonscientific and unrealistic.
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Every role is a new form of surrender.
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I'm the fourth generation to be in show business. It's pretty neat; it's nice to have that family history.
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I would say old school cats like Redman and Wu-tang. My style is my style, those are just cats that I liked.
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'Twin Peaks' without David Lynch is like a dog without a bark.
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I think it's important to understand the concrete ways things work and to respect that. But some things shouldn't be explained, and you have to respect that, too.
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When people are bored it is primarily with themselves.
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I didn't want to be written about as a human-interest story. I didn't want to be a passing thing. You know, now we move on to the fat girl who had her stomach stapled. I didn't want to become a gimmick: the disabled model.
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I'd never painted anything before. I was quite content to take other people's work since I didn't care anyway about the subject matter. I approached subject matter as a scoundrel. I had nothing to say about it whatsoever. I only wanted to make these exciting paintings.
