A. P. J. Abdul Kalam Quotes
Quotes to Explore
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That's what every young kid thinks about when they first put on a uniform - is to play in the Major League and then, ultimately, play in a World Series. To me, that was the ultimate, winning in '86.
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I get tired of comedies where there are a bunch of funny guys and a beautiful woman who doesn't do anything funny. And I don't like books where there's a rough-and-tumble boy and a really clever, snotty girl. That's just not my experience with teenagers.
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I don't have time to be negative.
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I hate these platforms that are all over the place today; they are all about grabbing attention. They are suburban! I never do a platform. Well, I did, in the 1970s, but that was a bad experience.
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As I'm writing, certain things become clear to me and certain things begin to feel right and make sense. The pieces start to fall into place.
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I love diamond facials - they leave me glowing and refreshed.
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Being listened to and being heard is an experience that doesn't happen terribly often. To listen compassionately or nonjudgmentally to another person - not to get too heavy about it - but I once heard somebody say that was a form of real prayer.
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My biggest nightmare is I'm driving home and get sick and go to hospital. I say: 'Please help me.' And the people say: 'Hey, you look like...' And I'm dying while they're wondering whether I'm Barbra Streisand.
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The wiser you get, the more experience you have, and the more you see people for who they are as human beings, as opposed to figures you have to fight against.
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I used to sit in front of McDonald's and ask people for dollars to get me a cheeseburger. It was bad.
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I was a class clown. At 12, I was definitely clowning. I was making all the jokes. But I was smart, so the teachers didn't know what to do with me.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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I have already seen death, and I know that death is supporting me in my cause of education. Death does not want to kill me.
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It is convenient to distinguish the two kinds of experience which have thus been described, the experienc-ing and the experienc-ed, by technical words.
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I never set out to write songs about the world around me... it just kind of came about as a result of paying more attention to things.
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My camps are always ten weeks. That's what makes me comfortable.
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I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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In times of rapid change, experience could be your worst enemy.
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For me, in songwriting, I have a route I can take. Maybe there's some forks, I can go this way, this way. But I know those roads. I still have the experience behind me.
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In feature films, unless there was a body count, they weren't hiring me to direct it.
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A lot of the vibe in London is being sucked dry because of the economic situation. It's very expensive, and it gives you nothing back. New York still feels like there's stuff going on. People are struggling to create art. There's still a vibe.
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For me, there is no such thing as a negative experience.
