Gabriella Wilde Quotes
For me, it's a matter of balance. Living inside your head and experiencing real things - both are important.
Quotes to Explore
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I always feel like rejection is my petrol. That's what keeps me going.
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Romeo Must Die came at the right time. It was the right vehicle for me.
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Money isn't the most important thing in life, but it's reasonably close to oxygen on the 'gotta have it' scale.
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Being on 'The Sopranos' definitely prepared me for the militant secrecy of 'Mad Men.'
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Real luxury is having the time to read endless stories in bed with my children. And I get that all the time. I'm so blessed.
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I'm trying to find the balance and do, like, 'Spanglish' music or some songs in Spanish and others in English or do a translation.
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That's maybe the most important thing each generation does, is to break a lot of rules and make up their own way of doing things.
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When we meet real tragedy in life, we can react in two ways - either by losing hope and falling into self-destructive habits, or by using the challenge to find our inner strength. Thanks to the teachings of Buddha, I have been able to take this second way.
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It's dangerous to read the Internet about yourself when you're me. Or when you're anyone in the public eye.
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'Pyrapshere' began as a sketch for a variety show I produced called 'A Pretty Good Show.' My partner, Andersen Gabrych, and I expanded it into a full-fledged faux-religion, including a list of 21 tenets, sacred symbols, testimonials, and even a clothing line. Many people believed it was a real thing and wanted to join.
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I realise how important it is to use the time I have. I respect people who want to do that by watching television. I happen to want to read books. But I know I can't read all the books or watch all the movies in one lifetime.
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I want to be back on Broadway one day. That's a dream of mine. There's nothing like live theater, and I think it's so important for me to be able to be on stage with an audience that responds.
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You need to feel that the game is important to you. Lose that feeling and you lose your edge. There's no faking that kind of emotion. You can't invent the feeling. It's got to be natural, real.
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I don't want to forgive myself. That's why I hate psychoanalysis I think if you're guilty of something you should live with it. Get rid of it - how can you get rid of a real guilt? I think people should live with it, face up to it.
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I love writers all across the board, but one who influenced me very directly at the beginning was Mary Renault.
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It's clearly more important to treat one's fellow man well than to be always praying and fasting and touching one's head to a prayer mat.
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My grandma taught me how to hand-sew, so I'm always making things from hand-me-downs.
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Nobody can tell me where I can and can't go.
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'Troublemaker' is not an adaptation of 'Metro Girl' or 'Motor Mouth.' It is an original story. The hardest part was probably trying to keep the sound true to the novels. I always write in first person, and it was important to us that the readers of 'Metro' and 'Motor' be comfortable with the change over to a graphic novel.
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I just recently joined Twitter. It's very positive - I love all the accolades. If my ego is hurting, I can just open my Twitter account and see 'Oh, I love you! I love the show!' and it's great. I'm trying to find the balance between trying to be funny, being honest and just being a promoter as the guy on 'Royal Pains.'
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In a Ponzi scheme, a promoter pays back his initial investors with money he has raised from new investors. Eventually, the promoter can no longer find enough new investors to pay off the people who have already put up money, and the scheme collapses.
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We have to find greater employment for these people with records.
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I can speak English. I can speak Hindi. I can understand one or two other languages.
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For me, it's a matter of balance. Living inside your head and experiencing real things - both are important.
