Salvador Dali Quotes
Now sexual obsessions are the basis of artistic creation. Accumulated frustration leads to what Freud calls the process of sublimation. Anything that does not take place erotically sublimates itself in the work of art.
Quotes to Explore
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I think I was lucky I got into art college. That's what saved me.
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If people don't want to come out to the ball park, nobody's gonna stop 'em.
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The first decent building I did with my own practice was a chapel in Taiwan.
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One of the most precious parts of acting is the work before you show up on the set, the time you spend being with your character before you bring that character to life. To me, that's the most rewarding part of it all. It feels very good to show up on a set just knowing that's with you.
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I had such an amazing time filming 'Major Movie Star.' I loved everyone in the cast. They all brought their own spirit to the film, and I hope that is what will be seen on screen.
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Israel can't be the only country in the Western world not to have freedom of religion.
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A great many things which in times of lesser knowledge we imagined to be superstitious or useless, prove today on examination to have been of immense value to mankind.
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I am not a prisoner of conscious, but people try to make me one sometimes. It is both a gift and a curse. It's a high honour but can create limitations - I have to be fluid.
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My parents live out in the middle of nowhere, in the middle of this peach orchard. It's actually Peach County, one of the largest peach-growing counties in Georgia. It's very rural, and there is nothing much going on, so I guess that's had a big influence on everything as far as just not having much to do.
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Beyond any question, the way the American founders consistently linked faith and freedom, republicanism and religion, was not only deliberate and thoughtful, it was also surprising and anything but routine.
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Since belief determines behavior, doesn't it make sense that we should be teaching ethical, moral values in every home and in every school in America?
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The truth is, when I got started in this business, it wasn't because I had a full understanding of the importance of the business, but because I thought it was fun. I found it exciting. It fulfilled me, whatever it was that I was looking for.
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Eighty-five per cent of the crowd is going to fall in love with me - they're going to feel it, wow. But fifteen per cent are going to think, 'This guy is obnoxious.' I spend enormous time with them - every negative review of 'Crush It!' on Amazon has a response from me - and I can probably bring back ten of the fifteen.
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Fashion is unique. It's a leveler, not a divider.
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Einstein was a man who could ask immensely simple questions. And what his work showed is that when the answers are simple too, then you can hear God thinking.
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Anyone who's seen me before knows that when it's fight time, I don't have much to say.
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I think in the bullpen you can tell during your warmups, if you have a good feel for it. But anything can happen once you get into a game. Sometimes you just wind up throwing it better than ever before one day without knowing why.
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I am an artist who works with Lego.
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God comes first - if I don't love him, I can't love anybody, and if I can't love me I can't love nobody.
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I've collected John Ward pieces for years. Ward represents ideas of nature and of sediments.
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Today's message to Baghdad is very clear: the UN Security Council resolution expresses the unity and determination of the entire international community to assume its collective responsibility.
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I definitely don't feel a sense of jealousy or competition, and that's a really good feeling.
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My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is.
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Now sexual obsessions are the basis of artistic creation. Accumulated frustration leads to what Freud calls the process of sublimation. Anything that does not take place erotically sublimates itself in the work of art.
