Wilson Mizner Quotes
I've spent several years in Hollywood, and I still think the movie heroes are in the audience.
Quotes to Explore
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The same liberty that protects me also protects members of the Mafia.
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Apparently 'The Office' plays in Brazil. Who would've thought that Brazilians would identify with a bunch of pasty white Scrantonians in a paper company? But the Brazilians I've met have really loved the show.
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Religions do a useful thing: they narrow God to the limits of man. Philosophy replies by doing a necessary thing: it elevates man to the plane of God.
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Around 1960, I moved back to Europe, attracted by the newly founded European Organization for Nuclear Research where, for the first time, the idea of a joint European effort in a field of pure science was to be tried in practice.
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I care not much for a man's religion whose dog and cat are not the better for it.
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They show that roughly two-thirds of a group of neurotic patients will recover or improve to a marked extent within about two years of the onset of their illness, whether they are treated by means of psychotherapy or not.
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I think my father was somewhat disappointed in not having had a son, and in that way I was the nearest thing he had.
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I'm a natural blonde!
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Maurice was a silly man. Maurice liked being silly.
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My work on human capital began with an effort to calculate both private and social rates of return to men, women, blacks, and other groups from investments in different levels of education.
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I think people who have good parents come into the world with a strength, yes, and an advantage.
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I am a Brazilian before I am an architect. I cannot separate the two.
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I enjoy making films, but my heart is in the stage. Every night you have to be on. There's no second take.
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My deceased grandmother on my mom's side was a real fairy godmother, who lived to be 102 and who I always feel is looking after me.
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My parents were Beatle fans, but my mom was especially a Lennon fan, so I was exposed to him more. I remember her playing 'Double Fantasy' quite often.
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I think when you've got a passion for something, it comes out of you, and people can feel it. Then your mind is so geared towards that and how you can improve on it, and you're so excited about performing that it comes together.
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As for the Canadians - good actors and good directors are sometimes taken by the American market, you know, if they're good enough.
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Writing has always been an interest of mine, and 'The Language of Flowers' combined my experience with foster care with something I've always wanted to do.
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I think my life did go the way it was supposed to go for me.
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My goal was to play 350-capacity rooms in the U.K. and, if I was lucky, 100-capacity rooms in Europe. I just wanted to play music and make money off it.
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When I set out to make 'Bourne Identity,' my main goal for the franchise was to create something where it feels like you're in the action. You're not just passively watching it from far away. That's something that I have constantly aspired to do - even in 'Swingers,' to feel like you're Jon Favreau; you're not just watching him.
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The magic of playing has to do with how much everyone wants it to succeed. If you have five players in a situation where the music is being improvised and one is determined it is not going to succeed, it won't succeed even if one of the musicians takes control.
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I've spent several years in Hollywood, and I still think the movie heroes are in the audience.
