Gary Oldman Quotes
That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them, and to register them.
Quotes to Explore
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It's very juicy to twirl your mustache and figure out why people do the horrible things that they do. It's not just because they are evil, but because that's how they somehow explain the world to themselves and justify themselves. It's always interesting figuring out how that happens.
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I used to get some flack from my agents because I wouldn't even audition for parts where the hero uses violent force to be a hero.
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It was very difficult when I was trying to figure out how to have a marriage and babies and do this at the same time. There was no handbook. You were making it up as you went along.
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If you go back and watch 'The French Connection,' it's been cannibalized so many times. There are certain movies like that, where you see the original and think, 'This isn't so great.' And the reason it isn't so great is because everyone has copied it.
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Now, everybody knows my music. So that's really cool. A lot of kids know it. Now, when I go to a sports game, everybody knows my name.
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My dad also plays a little banjo and guitar, my mom plays the mandolin.
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I had no desire to be a chef, but I had a desire to be someone who was heard.
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My views naturally have mellowed. Most of the critics have been more or less nice to me.
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People are wired for lots of things. We're wired for novelty. We're wired for humor. We're wired for new pieces of information that surprise us in some way or add value to our lives. We're wired for fear.
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I did every job under the sun from bartending to ushering to temping.
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When the whole world is silent, even one voice becomes powerful.
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Being Iraqi taught me to be very cautious.
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My characters hope for better lives.
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In the end, you have to protect yourself at all times.
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It's just a theory really, but I have always thought that your physical surroundings can shape your voice and personality.
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When Liza Minelli was a child, she used to sit on my lap and call me Uncle Sammy.
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I love to design and remodel houses, from working with the contractors to picking the colours, materials, kitchen and bathroom accessories to finally what furniture goes where.
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Workplaces still operate like it's 1962 and one person is always at home, and they are not very good at adjusting for the fact that a majority of women work and take care of children.
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In my previous career as a chief executive of high-tech companies, I experienced firsthand the endless possibilities when people from diverse backgrounds work together. They get to know one another and quickly learn that they share more in common than they originally thought.
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To me, recording with live instruments and tape takes things back to an older sound that I like but that's still fresh.
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I believe that stories find writers, writers don't find stories. With the 'Pendragon' series, I actually had multiple story ideas and decided that instead of writing them individually, I would create a character whose journey would thread them all together.
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I didn't know there was this sort of immediate camaraderie that's very intense when you make a movie because you're all in this together. You tend to get really close to people really fast.
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I began to be impressed by what made a good book-how you needed to have a sensible story, a plot that developed, with a beginning, a middle, and an end that would tie everything together.
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That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them, and to register them.
