Harlan Coben Quotes
I always say three things make a writer: inspiration, obviously; perspiration, doing the work. But the third is desperation. I'm not really fit for anything else, or to have a real job. That fear drives me. The pressure has always been self inflicted.
Quotes to Explore
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When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.
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I love being the mayor. I want to be the mayor forever.
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These things don't just come, arrive and settle like a bird picking up a few bits of crumbs. They develop. I think the best word for these things is develop. They develop because of the human beings who just happen to be there at the time.
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Often I look back and see that I had been many kinds of a fool-and that I had been happy in being this or that kind of fool.
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I'm from Iowa Falls, Iowa. My dad was a small-town lawyer, and my mom was a pharmacist. She worked at Swartz Drug. I have five older brothers.
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I love to beatbox and have been doing it before I even knew what it was.
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One thing about playing the real jazz is that you can't count it.
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I don't look at myself as suffering.
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I've been a Dolphin for 17 years, and I'll be a Dolphin for the rest of my life. That will never change.
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I feel like, growing up, I watched football, obviously, and you see great players, and as a fan, you want to watch the best you can possibly watch, and you want to see what's capable of being made.
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I believe that blues and jazz are the two uniquely American contributions into music.
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Project Xanadu is essentially my trademark. It was originally, and has returned to my arms as that.
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As I watched bookstores close, I began to wonder how that felt for the owners. Owning a bookstore was their dream and now they're struggling and seeing those dreams fall apart.
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Sometimes it's more difficult to achieve a 10% cost reduction than it is to tell people they have to achieve 50%. Small incremental steps block your view of doing something fundamentally different.
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It's like a painter with various layers of paint. I start with a drum loop and add keyboards, and then melodies start to take shape. The vocals happen later. I've never really done therapy before, but it's a form of therapy. Everything else falls away.
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I'm a lot more interested in people than I used to be. I used to be most interested in abstract ideas, and people were an afterthought, but that's changed a bit.
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Inspiration is God making contact with itself.
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It's grueling never knowing if the audience is going to think you're funny. It's soul-destroying when they don't laugh.
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When I think of Camelot, I think of the castle in France where we film, but I think it's wrong to lock it down to one place because it's all part of our imagination. They are legends for a reason. Their stories have endured for hundreds of years and, hopefully, they will for hundreds of years to come.
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One day, people will be able to buy tickets to visit space.
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If people had good albums, they'd be buying albums. But people are buying singles because they only have good songs.
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Young people are going to go to someone, somewhere. And we had better see that that 'someone' is us when the opportunity is ours, for there will come a time when we will wish they would come, and do we know but that the interruption we now impatiently put off may be the most important thing we could be doing at this particular time?
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I always say three things make a writer: inspiration, obviously; perspiration, doing the work. But the third is desperation. I'm not really fit for anything else, or to have a real job. That fear drives me. The pressure has always been self inflicted.
