Nguyen Qui Duc Quotes
Saigon, U.S.A. aptly documents the birth of a new American community, uprooted in the aftermath of war and forever torn apart by the wounds of the past, yet one capable of healing against all odds. An engrossing yet succinct film that captures not only a major incident in Vietnamese American life, but also an important chapter of American history. A profound film that manages to confront us with the deepest sorrow while allowing us to be hopeful about what it means to be human.
Quotes to Explore
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Microcurrent devices are actually really good because they stimulate the muscles, but I'm not a big fan of injectables. You don't know what they'll do to your face in the long run.
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General Giap was one of the most brilliant military strategists of our era, who in Dien Bien Phu was able to place missile launchers in remote, mountainous jungles, something the yankee and European military officers considered impossible.
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I write 'Broad City,' so I connect it to me.
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I see a deep connection between peace and change: peace always starts from within, for communities and people alike. The same is true of change: real change starts from within.
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After spending three years of my life looking into this, I am more convinced than ever that the U.S. government's responsibility for the drug problems in South Central Los Angeles and other inner cities is greater than I ever wrote in the newspaper.
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An efficient government is dangerous in the hands of the wrong man. Sadly, the right sort of man never seems interested in the job.
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There is no necessity to separate the monarch from the mob; all authority is equally bad.
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I always wanted to be an actress. And it wasn't ego. I felt so little about myself, considered myself such a sparrow. Not just my size. I thought I was so plain... I did plays not to show off but because if I did that - I didn't realize it at the time - I would be somebody other than this person I didn't really approve of.
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The Milky Way is nothing else but a mass of innumerable stars planted together in clusters.
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I have always believed that when you're feeling sorry for yourself, the best thing to do is help someone else.
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The most intense conflicts, if overcome, leave behind a sense of security and calm that is not easily disturbed. It is just these intense conflicts and their conflagration which are needed to produce valuable and lasting results.
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When I got '227' and broke out from the rest of the cast, I became a workaholic, and I was very lonely.
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No one inspired me to write, but writer Harlan Ellison terrified me into getting published.
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So even though I consider myself a fairly upbeat person, energetic and things like that, I never do very well on happiness tests.
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You become what you believe, not what you think or what you want.
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I get ideas for my books from people I know and what happens to them, from places I've been and what happens to me, and from things I read.
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There have always been arguments showing that free will is an illusion: some based on hard physics, others based on pure logic.
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I'd love to have more kids. I'm one of four, and I've always dreamed of having a huge family. I've loved every second of having Sophia. It's been just the most amazing time of my life. I'd love more of it.
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What a world this will be when human possibilities are freed, when we discover each other, when the stranger is no longer the potential criminal and the certain inferior!
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Yet the companions of the Muses will keep their collective nose in my books And weary with historical data, they will turn to my dance tune.
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The world is a bad place. There are many wonderful people, but on the whole, humanity basically stinks.
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Saigon, U.S.A. aptly documents the birth of a new American community, uprooted in the aftermath of war and forever torn apart by the wounds of the past, yet one capable of healing against all odds. An engrossing yet succinct film that captures not only a major incident in Vietnamese American life, but also an important chapter of American history. A profound film that manages to confront us with the deepest sorrow while allowing us to be hopeful about what it means to be human.
