Nguyen Qui Duc Quotes
Saigon, U.S.A. aptly documents the birth of a new American community, uprooted in the aftermath of war and forever torn apart by the wounds of the past, yet one capable of healing against all odds. An engrossing yet succinct film that captures not only a major incident in Vietnamese American life, but also an important chapter of American history. A profound film that manages to confront us with the deepest sorrow while allowing us to be hopeful about what it means to be human.
Quotes to Explore
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General Giap was one of the most brilliant military strategists of our era, who in Dien Bien Phu was able to place missile launchers in remote, mountainous jungles, something the yankee and European military officers considered impossible.
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I write 'Broad City,' so I connect it to me.
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I see a deep connection between peace and change: peace always starts from within, for communities and people alike. The same is true of change: real change starts from within.
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After spending three years of my life looking into this, I am more convinced than ever that the U.S. government's responsibility for the drug problems in South Central Los Angeles and other inner cities is greater than I ever wrote in the newspaper.
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An efficient government is dangerous in the hands of the wrong man. Sadly, the right sort of man never seems interested in the job.
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There is no necessity to separate the monarch from the mob; all authority is equally bad.
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I always wanted to be an actress. And it wasn't ego. I felt so little about myself, considered myself such a sparrow. Not just my size. I thought I was so plain... I did plays not to show off but because if I did that - I didn't realize it at the time - I would be somebody other than this person I didn't really approve of.
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The Milky Way is nothing else but a mass of innumerable stars planted together in clusters.
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The most intense conflicts, if overcome, leave behind a sense of security and calm that is not easily disturbed. It is just these intense conflicts and their conflagration which are needed to produce valuable and lasting results.
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When I got '227' and broke out from the rest of the cast, I became a workaholic, and I was very lonely.
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No one inspired me to write, but writer Harlan Ellison terrified me into getting published.
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You become what you believe, not what you think or what you want.
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I get ideas for my books from people I know and what happens to them, from places I've been and what happens to me, and from things I read.
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I'd love to have more kids. I'm one of four, and I've always dreamed of having a huge family. I've loved every second of having Sophia. It's been just the most amazing time of my life. I'd love more of it.
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I would have to be able to come and go as I please. I could not sit in some office.
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When I try to understand somebody, create a character, I fall into them. When I think writers are telling me what to think, I get harrumphy.
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In a photo, you just do a click, but in art you have to put in so much energy. This concentration of energy and attention says something that other media cannot say.
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Often, when you look at history, at least through the lens that many of us have looked at history - high school and college courses - a lot of the color gets bled out of it. You're left with a time period that does not look as strange and irrational as the time you're actually living through.
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Making fake biography, false history, concocting a half-imaginary existence out of the actual drama of my life is my life.
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I've been asked too many times to write a book by the fans.
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Saigon, U.S.A. aptly documents the birth of a new American community, uprooted in the aftermath of war and forever torn apart by the wounds of the past, yet one capable of healing against all odds. An engrossing yet succinct film that captures not only a major incident in Vietnamese American life, but also an important chapter of American history. A profound film that manages to confront us with the deepest sorrow while allowing us to be hopeful about what it means to be human.
