Nguyen Qui Duc Quotes
Saigon, U.S.A. aptly documents the birth of a new American community, uprooted in the aftermath of war and forever torn apart by the wounds of the past, yet one capable of healing against all odds. An engrossing yet succinct film that captures not only a major incident in Vietnamese American life, but also an important chapter of American history. A profound film that manages to confront us with the deepest sorrow while allowing us to be hopeful about what it means to be human.
Quotes to Explore
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General Giap was one of the most brilliant military strategists of our era, who in Dien Bien Phu was able to place missile launchers in remote, mountainous jungles, something the yankee and European military officers considered impossible.
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I write 'Broad City,' so I connect it to me.
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I see a deep connection between peace and change: peace always starts from within, for communities and people alike. The same is true of change: real change starts from within.
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After spending three years of my life looking into this, I am more convinced than ever that the U.S. government's responsibility for the drug problems in South Central Los Angeles and other inner cities is greater than I ever wrote in the newspaper.
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An efficient government is dangerous in the hands of the wrong man. Sadly, the right sort of man never seems interested in the job.
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There is no necessity to separate the monarch from the mob; all authority is equally bad.
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I always wanted to be an actress. And it wasn't ego. I felt so little about myself, considered myself such a sparrow. Not just my size. I thought I was so plain... I did plays not to show off but because if I did that - I didn't realize it at the time - I would be somebody other than this person I didn't really approve of.
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The Milky Way is nothing else but a mass of innumerable stars planted together in clusters.
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The most intense conflicts, if overcome, leave behind a sense of security and calm that is not easily disturbed. It is just these intense conflicts and their conflagration which are needed to produce valuable and lasting results.
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When I got '227' and broke out from the rest of the cast, I became a workaholic, and I was very lonely.
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No one inspired me to write, but writer Harlan Ellison terrified me into getting published.
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So even though I consider myself a fairly upbeat person, energetic and things like that, I never do very well on happiness tests.
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You become what you believe, not what you think or what you want.
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I get ideas for my books from people I know and what happens to them, from places I've been and what happens to me, and from things I read.
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I'd love to have more kids. I'm one of four, and I've always dreamed of having a huge family. I've loved every second of having Sophia. It's been just the most amazing time of my life. I'd love more of it.
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I would have to be able to come and go as I please. I could not sit in some office.
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When I try to understand somebody, create a character, I fall into them. When I think writers are telling me what to think, I get harrumphy.
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In a photo, you just do a click, but in art you have to put in so much energy. This concentration of energy and attention says something that other media cannot say.
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No man worth having is true to his wife, or can be true to his wife, or ever was, or ever will be so.
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There is no real independent self, aloof from other human beings, inspecting the world, inspecting other people. You are, in fact, connected not just via Facebook and Internet, you're actually quite literally connected by your neurons.
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The music field was the first to break down racial barriers, because in order to play together, you have to love the people you are playing with, and if you have any racial inhibitions, you wouldn't be able to do that.
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When a man's struggle begins within oneself, the man is worth something.
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Saigon, U.S.A. aptly documents the birth of a new American community, uprooted in the aftermath of war and forever torn apart by the wounds of the past, yet one capable of healing against all odds. An engrossing yet succinct film that captures not only a major incident in Vietnamese American life, but also an important chapter of American history. A profound film that manages to confront us with the deepest sorrow while allowing us to be hopeful about what it means to be human.
