Beat Streuli Quotes
My work doesn't speak about individuals (it's not portraiture in the traditional sense), it tries to speak about life in general in cities of the West - which is where I live and what I understand.
Quotes to Explore
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If conservationists will attempt to resume responsibility for their need to eat, they will be led back fairly directly to all their previous concerns for the welfare of nature.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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I believe marriage is between a man and a woman. I am not in favor of gay marriage. But when you start playing around with constitutions, just to prohibit somebody who cares about another person, it just seems to me that's not what America's about. Usually, our constitutions expand liberties, they don't contract them.
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I make mistakes on a very grand scale.
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Sometimes I'm not even aware of some of the issues going on with me in my life until I sit down and start kind of looking for inspiration, trying to find something that inspires that creativity.
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Just look at what is right in front of you. People don't do that. They see what they expect to see, what they want to see, what conventional wisdom tells them to see. They only hear the music and not the lyrics of human events.
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I am an observer, I like to watch people. I am into psychology and people - how they act and such.
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I knew that I wanted to be an actor; how to go about it was the question. I went to Australia for my studies; from there I told my dad that I also want to do a course in performing arts, but my father refused. So I completed my studies and came back. But I kept poking him, saying that acting is something that I want to do.
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When the curtain falls, the best thing an actor can do is to go away.
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As long as a house is like yours, and as long as you work together with your brothers, not a house in the world will be able to compete with you, to cause you harm or to take advantage of you, for together you can undertake and perform more than any house in the world.
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I've been taking batting practice in my barn where nobody can see me, so I may be better than anyone thinks.
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Al Gore seems to have found a great political ploy: Picking up whatever issue he is most vulnerable on and championing the cause. Perhaps he will start to champion perjury statutes and obstruction of justice.
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We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act.
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As for the depiction of the Catholic church, it's not meant to be a prediction.
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When I get drafty cold air in my ears, I would get an earache and get sick. I had to make sure I hustled and stayed well for my shows that I played.
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I always liked No. 10 because I loved Zidane. He was my role model. I always wanted to play like him.
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If a woman gets tough in negotiations, she's difficult, whereas a man would be considered a brilliant businessman.
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You know, I used to say, when people say, 'How do you think about what to write about in the poems every week?' And I say, 'Well, I have to turn it in on Monday, so on Sunday nights I turn the shower to iambic pentameter and it sort of works out that way.'
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When I meet a good actor, I would like to be a director. When I meet a good director, I would like to be an actor. When there is a good script, I would like to be both a director and an actor. The switch is very natural, not intentional.
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Both organizations are growing rapidly due in part to answering the urgent need in the community for services and programs to help with the day-to-day struggles that come with memory disorders.
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'In Praise of Slowness' chronicles the global trend towards deceleration that has come to be known as the Slow Movement. Don't worry, though: it is not a Luddite rant. I love speed. Going fast can be fun, liberating and productive. The problem is that our hunger for speed, for cramming more and more into less and less time, has gone too far.
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In spite of what most assume, it is surprisingly tough to make the mind and body work together as a unit.
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If you really want to follow me and know what I'm doing, it's Instagram. You know which city I'm in and what I'm doing. It's almost in real time.
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My work doesn't speak about individuals (it's not portraiture in the traditional sense), it tries to speak about life in general in cities of the West - which is where I live and what I understand.
