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They've got to deliver twenty-six episodes a season and they're not going to beat their heads up against a wall if they feel something didn't, like, pan out the way they had hoped.
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And my father, being a good Swiss puritan, always really insisted that if I was going to be an actor, I shouldn't just be an actor, I should know about the whole process.
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The best scene is the last great scene I did.
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I love the fact that it's not only about Star Trek, but about science fiction in general, and science.
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I did a voice for Odo, but people don't recognize you by your voice.
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It always takes awhile to find out who the characters are.
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Well, I'm a character actor, and actually throughout my life I've... I have relatively speaking played few heroic leads, but I've done it.
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The highest happiness is a by-product of worthy work well done.
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I worked with my son when he was much younger; we did L.A. Law together, where I played his father and he played a kid who was suing his father for alienation of affection or something. It was great.
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So, yes, the five years that we've been working on Star Trek: Deep Space Nine has evidenced a real deepening of all the characters, not only mine.
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At this point we've answered about every question you could possibly imagine about Deep Space Nine, so we do this thing called Theatrical Jazz, where we do a show of bits and pieces of things from plays and literature, poetry... stuff that we like. It's fun.
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I came out of repertory theater, where I worked 50 weeks a year, and I loved working with a team.
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The writers and producers always have an idea, then they cast the role and the instrument starts to tell them how to play the music.
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If you do your job properly you usually learn a lot from any role you do.