Raymond Bonner Quotes
Quotes to Explore
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Our parents all experimented with raising us in a fairly loose, unorthodox way. A huge emphasis was placed on creativity, and our artistic efforts were never dismissed as childish. There was a sense that we - kids and grown-ups - all had the potential to make something of value. Our drawings were not simply destined for the refrigerator.
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Pity is the deadliest feeling that can be offered to a woman.
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I was kind of a wild child. I wasn't taught the niceties of life.
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I open the doors for everybody all the time.
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Man is a beautiful machine that works very badly.
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The federal government has not been effective enough monitoring and surveilling bad guys.
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No money on earth can buy the love and affection that has been given to me by a grateful nation.
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When I first started, I just wanted to work. I wouldn't necessarily do anything, but I'd pretty much almost do anything at the very beginning.
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Almost all people have this potential for evil, which would be unleashed only under certain dangerous social circumstances.
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My mother is going to get earrings of my head. Some will be dipped in silver, some will be dipped in gold, and I will hand them out to everyone I know.
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Happy birthday,” she said. “And next time? Eat the stupid cupcake.
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They almost ran me off the road several times. There are so many chances that they take to get the right photo.
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You can read a dozen different textbooks or how-to manuals that will tell you the basic rules of what makes a story - a beginning, a middle, and an end.
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Art is a delivery system for worldviews.
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Pastor Saeed Abedini is coming home. Held for three and a half years, his unyielding faith has inspired people around the world in the global fight to uphold freedom of religion. Now Pastor Abedini will return to his church and community in Idaho.
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We were brought up in the school that teaches: You do what the script tells you. Deliver the goods without comment. Live it-do it-or shut up. After all, the writer is what's important. If the script is good and you don't get in its way, it will come off okay. I never discussed a script with Spence [Spencer Tracy]; we just did it. The same with Hank [Henry Fonda] in On Golden Pond. Naturally and unconsciously we joined into what I call a musical necessity-the chemistry that brings out the essence of the characters and the work.
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Our lives carry us along in ways we cannot control, and almost nothing stays with us. It dies when we do, and death is something that happens to us every day.
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I traveled a full two years with 'Language of Flowers.'
