Malala Yousafzai Quotes
Quotes to Explore
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With a first season, you never really know how viewers or the network are going to react to a show.
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Do you know why I don't like doing press? I have trouble condensing things. I'd rather have a conversation.
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There's a lot of skeletons in my closet, but I know what they're wearing. I'm not gonna act all ashamed of it.
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The little I know I owe to my ignorance.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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This I know; the spirit of Man cannot be stopped.
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With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.
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You know, children philosophize more than adults - and they are critical of adults.
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You know once you get in the business you know what you're getting into.
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My schedule is too overwhelmingly full to think about the future.
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I approach love differently now that I know it's hard for it to work out.
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I don't talk about success. I don't know what it is. Wait until I'm dead.
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I'm the youngest of five girls, and I don't know about you, but it's really hard to be heard when you have five women. I've always been this loud and over the top as a person because I just want to be heard.
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We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.
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I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
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To tell you the truth, I hadn't seen any Pixar until I went to see 'Wall-E,' and I watched it and I was shocked to see how adult it was, with the setting in our lives, both present and future, and how they dealt with it... And then quite relieved to find that the one I was working on, 'Up,' how adult it was.
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Lenin, the greatest theorist of them all, did not know what he was going to do after he had got the power.
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I'm sensitive, you know, about some things, and as some of my partners could attest to, incredibly insensitive.
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We know that often holding those who have carried out mass atrocities accountable is at times our best tool to prevent future atrocities.
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Everybody thinks it's going to be so glamorous, so cool, you're on 'Glee,' you know, a hit show or whatever.
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Home is the girl's prison and the woman's workhouse.
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After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
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I've killed hundreds of teenagers. Hundreds. And I didn't know why. Why did I enjoy doing it so much? Why? And then I realized - I had a teenager at home!
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I don't know what would I do in future; I'll decide it later.
