Malala Yousafzai Quotes
Quotes to Explore
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With a first season, you never really know how viewers or the network are going to react to a show.
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Do you know why I don't like doing press? I have trouble condensing things. I'd rather have a conversation.
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There's a lot of skeletons in my closet, but I know what they're wearing. I'm not gonna act all ashamed of it.
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The little I know I owe to my ignorance.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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This I know; the spirit of Man cannot be stopped.
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With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.
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You know, children philosophize more than adults - and they are critical of adults.
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You know once you get in the business you know what you're getting into.
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My schedule is too overwhelmingly full to think about the future.
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I approach love differently now that I know it's hard for it to work out.
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I don't talk about success. I don't know what it is. Wait until I'm dead.
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We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.
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I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
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To tell you the truth, I hadn't seen any Pixar until I went to see 'Wall-E,' and I watched it and I was shocked to see how adult it was, with the setting in our lives, both present and future, and how they dealt with it... And then quite relieved to find that the one I was working on, 'Up,' how adult it was.
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Lenin, the greatest theorist of them all, did not know what he was going to do after he had got the power.
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I'm sensitive, you know, about some things, and as some of my partners could attest to, incredibly insensitive.
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We know that often holding those who have carried out mass atrocities accountable is at times our best tool to prevent future atrocities.
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I don't know how we had about eighteen international stars in it, all playing James Bond.
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I listen to other guitar players, yeah. It gives me new concepts and shows me where the instrument is going for the future and it is going some places. There are some musicians who are really putting out a good vibe with new theories. I try and keep up.
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I just keep recording. You never know what you'll come up with.
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If the height of the heel is the same as the length of your foot, it starts to look wrong. And if the heel is positioned badly on the sole, you get into ballerina territory, where the body is pushed into a very strange posture. You can exaggerate the arch only so much.
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I don't know what would I do in future; I'll decide it later.
