Raymond Williams Quotes
Quotes to Explore
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When you're a producer and an artist you're very critical of yourself. I like to produce other people, but I'm not that good at producing myself.
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When you are young you take the kindness people show you as your right.
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That show, 'The Amazing Race' - is that about white people?
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When distant and unfamiliar and complex things are communicated to great masses of people, the truth suffers a considerable and often a radical distortion. The complex is made over into the simple, the hypothetical into the dogmatic, and the relative into an absolute.
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I get so excited when a song I wrote that's very personal to me goes No. 1 and I look down and see people singing the words back to me.
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It is quite common to meet people that live a few kilometers away from Mexico and that have never been there. We need to revive on many levels an illustrious desire to get to know the world, to learn another language, to understand and create empathy with people that live a few kilometers away from us. It's never late to do this.
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Every generation witnesses atrocities. People in power try to fulfill prophecy.
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Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
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I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
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The people in the villages had turned in on themselves. You can understand it. When you have a bad day on the field, what do you do? Talk to your teammates.
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When you're trying to bring the streets into rap to prove a point, then you already lost. You separate the two, and that ain't to be played with. You've got people that lost their lives and people that are doing real time. If we gon' make music, let's just make music.
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My biggest luck was the Terry McMillan era, because what happened after the phenomenon of 'Waiting to Exhale' is that publishing woke up. They said, 'Wow. Black people do read.'
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I feel like, maybe in the '90s, 'Rookie' would have been shamed for trying to reach a lot of people or trying to be 'mainstream', but I'm so pleased that our readers are happy to see me promoting the 'Rookie' yearbook on TV or whatever.
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Two powerful people can't be friends.
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New York is a city where people are ambitious. They want things.
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What could be better than working with people you love?
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There's still people who think me being married to a sista is an act. What, you think I'd make that up for a persona?
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I don't try to impress people. Sometimes my jokes can be very harsh; I'm very sarcastic. I would joke about something disgusting, and my agent might be like, 'OK, maybe leave that behind for this one meeting. The burping? Maybe don't do that.'
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When I need guidance or just to kvetch or to bounce ideas off of people, I go to Gail Simone, who is very much kind of the den mother of all of us who are working comics.
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It's most beautiful thing about my work. I have reached people who I would never have known without my work.
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I really enjoyed shooting in Ireland. The people are so lovely. I hope I don't offend anyone in saying this, but the nature reminded me of Americans: everyone was warm and open and easy to talk to. And Ireland is so beautiful and lusciously green.
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My son is now an 'entrepreneur.' That's what you're called when you don't have a job.
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On a day-to-day level, I love watching my kids accomplish the little things that seem trivial but are really milestones: seeing my son hit a baseball or watching my daughter draw something that actually looks like what she says she's drawing. Or hearing them say 'I love you.'
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There are no masses; there are only ways of seeing people as masses
