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My brothers and I would sit out on the park bench and harmonize.
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I'm waiting for them to come up with a 'Star Trek' thing so they can beam me from my house to the gigs and back.
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The music of the Clovers and Spaniels and the rest was like candy to me. I couldn't get enough; my teachers probably thought I had attention deficit disorder.
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A lot of my solo albums were produced by different people who had their idea of what songs I should do, and they had me doing a lot of ballads.
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When I'm singing, it's a mixture of my innocence in the projects, my mom and dad. It's all the good and the bad, the laughs and the frowns that I went through and seen other people go through. Then you be trying to write it. Whatever's coming out, you try and make it all cool.
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My favorite prayer is Footprints in the Sand. You know that prayer? I know the times that he carried me, you know? I kind of wore him out.
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Doo-wop is the true music to me, man. Doo-wop was what nurtured me and grew me into who I am, and I guess even when I was in school, the teacher probably thought I had ADD or something every day, because I'd be beating on the desks, singing like the Flamingos or the Spaniels or Clyde McPhatter or somebody.
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There are so many songs in my heart and in my brain. I wake up at 2 in the morning, and I have to get up and sing them. There are so many of them, it's ridiculous.
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When I record something, I'll take a drive and just listen.
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Singing is a prayer to me.
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But I knew if I ran I'd never be able to sing, so I had to take my punishment.
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When I was living in the projects, I had a mop stick for my horse. I wanted to be Gene Autry or Roy Rogers, so I would ride my mop through the projects.
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I know the fact that I was born means I have to die, so my only aim is to reach out and help someone along the way.
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Man, I was scared. I didn't know what to think. All of a sudden, I got a record climbing the charts, and I'm out in the streets. You know, workin' on the docks. And the first week, it sold something like 40,000 in New Orleans.
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I always tell people I want to see the world through His eyes, and I want people to see Him in me.
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The extras are a nice bonus feature, but the main incentive is the musical experience.
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It's one of the greatest festivals in the world. New Orleans Jazz and Heritage Fest is the best all-around... It's an honor to be closing it.
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I sing around the house, in the shower.
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If we were poor, we didn't know it 'cause I guess you don't miss what you never had. So, you know, we made do with whatever. We used to make our own toys, and we used to play with spinning tops and marbles. A pocket full of marbles, and you were rich - you didn't worry about no money.
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When I'm singing, I connect the dots with notes.
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My drummer, bass player, and guitar player sing backgrounds. They play and sing. I can sing all the harmonies, but I can't do it alone.
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I'll be singing with The Blind Boys of Alabama, which is a great joy to me. I've done some work with them before, and they truly are amazing.
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I used to always sing my way into the movies and the basketball games or whatever. I'd sing for whoever's on the door, and they'd let me in. I used to think I was Nat King Cole back in the day, you know. So I'd sing something like, 'Mona Lisa, Mona Lisa, men have named you,' and they'd let me in.
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I might see something on TV and get inspired to write about it. I can't sit down and plan to write. It has to come to me in my head like someone telling me the words.