Calista Flockhart Quotes
Sometimes when you play a character, you can feel it in your body. And I felt like I had characteristics of my dog: the way Webster moves, the way he holds his head. I kind of adapted it into this part unconsciously.
Quotes to Explore
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I joined the Army at 19 as a soldier and spent about four and a half years with them. Then I broke my back in a freefall parachuting accident and spent a year in rehabilitation back in the U.K.
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Under-representation of women and other inequality among researchers is a problem that will not solve itself as women acquire competence.
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My mother did all she could to control me, but at age 14 she sent me to a military school.
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I think what human beings need is to be able to laugh at the absurd, hold on to ambiguity, and learn to love nuance, instead of making everything one or the other, and structurally, so much of the Internet and online publishing doesn't have room for any of that.
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I'm just really, really thankful. I'm thankful to the doctors; I'm thankful to the family that donated the kidney.
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Love is the ability and willingness to allow those that you care for to be what they choose for themselves without any insistence that they satisfy you.
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There's one thing that I like about Rome that was stated by Napoleon: that from sublime to pathetic is only one step away. And in Rome there's a constant shifting between sublime and pathetic.
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Houston is kind of a melting pot. There are many different cultures and ethnicities represented out there, even on my team. It's really cool: you'll see so many different things.
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You read a million scripts during pilot season, and most of them are not very good, so the good ones really shine.
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Most of the tasks we do are for humans. For example, a tax calculation is counting numbers so the government can pull money out from my wallet, but government consists of humans.
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When I came to Delhi and noticed an insider view, I felt what it was, and I was surprised to see it. It seemed as if dozens of separate governments are running at the same time in one main government. It appeared that everyone has its own fiefdom.
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America faces a new race that has awakened.
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I know what it's like not to have food in the fridge or money to buy more.
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R. Kelly is a thing on TV, but nobody knows Robert and what he's been through.
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One of my biggest drawbacks is my inability to maintain my physique. I put on weight for 'Soodhu Kavvum' and never managed to shed it. Luckily, that look suited a few films, including 'Orange Mittai.'
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Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar plexus or kidneys or head.
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Around 2005, the Canadian army tapped me to do a dramatization for a series of foresight workshops they'd done. They had stacks of papers and needed it boiled down to something simple enough for a 4-star general to understand. We decided to do it as a story. That's how I created 'Crisis in Zefra.'
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I'm just glad to be able to work.
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I'm not a big guy. I'm not a menacing guy. I'm not an intimidating guy. I may look that way, but just spend two seconds talking to me, and you know that's not who I am - not as a person, as a character. It's not who I intend to be.
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With publicity comes humiliation.
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I'm not accomplished enough to over-analyze something, because I don't have the background as far as people who write and know how to break down a character or story and stuff. I mostly go by gut instincts.
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In our time photojournalists were as important as the writers. Today not so. Photojournalism is diminishing. Now everyone is a free artist, which can only be in photography. For he is taking pictures! Releases the shutter and becomes an artist. Godsend people they are, otherwise the world was doomed. They are so significant. I fear bumping into one of these celebrities walking in the street, which would be very disrespectful indeed.
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I think it's very important that we should pass on to our future generations… the things we've learnt.
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Sometimes when you play a character, you can feel it in your body. And I felt like I had characteristics of my dog: the way Webster moves, the way he holds his head. I kind of adapted it into this part unconsciously.
