Feist Quotes
When I wrote 'Mushaboom', I was living in the second verse, but I suddenly found myself in the first.
Quotes to Explore
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When I was 11, I realised that I did not have to live the life my mother had: school, marriage, children, apartment, summer house.
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I always ask, why can't I be just like Cary Grant or something.
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Comfort and luxury are usually the chief requirements of life for your ego - its top priorities tend to be accumulations, achievements, and the approval of others.
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If you fall off a horse, you get back up. I am not a quitter.
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A simple life is good with me. I don't need a whole lot. For me, a T-shirt, a pair of shorts, barefoot on a beach and I'm happy.
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I dread shooting with animals. I hope I never get a script with snakes.
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It's my private life, and it's not up for grabs.
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A vote for Japan is a vote for the future of rugby. We will do our best to make rugby a global sport.
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I was admittedly comfortable with Iman Cosmetics being identified as a beauty brand that filled the gap for black women because it was deeply personal for me.
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I like 'The Nightly Show.' People ask me what it is, and I say, 'If you're watching 'The Daily Show,' and it feels like it's getting a little darker, you're probably watching 'The Nightly Show.''
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We in the Middle East like to talk politics, we like to argue. Just look at the three prophets - Moses, Jesus and Mohammad. They are all from this small region which creates problems all the time.
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I enjoy doing new tunes. It gives me a little bit to perk up, to pay a little bit more attention.
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With a project like 'The 5th Wave,' you do something you would never do in your normal life; I would never have had S.W.A.T. training or boot camp, and there's something really cool about learning stuff like that that's really fun about our job.
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I really miss things like going to football games and pep rallies, and when I come home to Tulsa, I always try to go to those things.
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Is literature more important than hurting people? You can't argue that. You can't say it. It's impossible.
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To be interested in food but not in food production is clearly absurd.
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I tend to play characters that I can infuse with certain kinds of humour. Even the baddest guy can be funny in his own particular way. I want the audience to engage with the character on some deeper level so that they leave the cinema still thinking about him.
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So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.
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In a sense I portray myself in a very androgynous way, and I love androgyny.
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So we're living by that sword, and we're going to cut every now and then from it's backlash.
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I was raised in a very sheltered, narrow environment.
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I was an easygoing guy, and school was pretty much people trying to challenge me to a fight, y'know, saying, 'Rambo! Rocky!'
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You rewind. You think of your preparation. You think of everything you did throughout the week, your life, the practices, the intensity. Everything flashes, and you come right back to that point. And it's like, game on.
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When I wrote 'Mushaboom', I was living in the second verse, but I suddenly found myself in the first.
