Feist Quotes
When I wrote 'Mushaboom', I was living in the second verse, but I suddenly found myself in the first.
Quotes to Explore
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When I was 11, I realised that I did not have to live the life my mother had: school, marriage, children, apartment, summer house.
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I always ask, why can't I be just like Cary Grant or something.
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Comfort and luxury are usually the chief requirements of life for your ego - its top priorities tend to be accumulations, achievements, and the approval of others.
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If you fall off a horse, you get back up. I am not a quitter.
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A simple life is good with me. I don't need a whole lot. For me, a T-shirt, a pair of shorts, barefoot on a beach and I'm happy.
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I dread shooting with animals. I hope I never get a script with snakes.
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It's my private life, and it's not up for grabs.
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A vote for Japan is a vote for the future of rugby. We will do our best to make rugby a global sport.
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I like 'The Nightly Show.' People ask me what it is, and I say, 'If you're watching 'The Daily Show,' and it feels like it's getting a little darker, you're probably watching 'The Nightly Show.''
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We in the Middle East like to talk politics, we like to argue. Just look at the three prophets - Moses, Jesus and Mohammad. They are all from this small region which creates problems all the time.
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I enjoy doing new tunes. It gives me a little bit to perk up, to pay a little bit more attention.
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With a project like 'The 5th Wave,' you do something you would never do in your normal life; I would never have had S.W.A.T. training or boot camp, and there's something really cool about learning stuff like that that's really fun about our job.
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I really miss things like going to football games and pep rallies, and when I come home to Tulsa, I always try to go to those things.
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Is literature more important than hurting people? You can't argue that. You can't say it. It's impossible.
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To be interested in food but not in food production is clearly absurd.
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I tend to play characters that I can infuse with certain kinds of humour. Even the baddest guy can be funny in his own particular way. I want the audience to engage with the character on some deeper level so that they leave the cinema still thinking about him.
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So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.
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So now I don't have time to practice drums. It's been five years since I've touched the drums.
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A pitcher will never be a big winner until he hates hitters.
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I don't want to abandon one work for the other, and I don't think I need to sacrifice anything to put my all into either one of them.
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I'm extremely happy that I could win the gold medal. It's a special moment in my career.
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I tend to deal with characters who are sort of at that same point of wrestling with, 'Who am I going to be as an adult? What do I believe? How am I defining myself in the context of my culture and my peer groups, my family?'
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When I wrote 'Mushaboom', I was living in the second verse, but I suddenly found myself in the first.
