Feist Quotes
When I wrote 'Mushaboom', I was living in the second verse, but I suddenly found myself in the first.
Quotes to Explore
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When I was 11, I realised that I did not have to live the life my mother had: school, marriage, children, apartment, summer house.
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I always ask, why can't I be just like Cary Grant or something.
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Comfort and luxury are usually the chief requirements of life for your ego - its top priorities tend to be accumulations, achievements, and the approval of others.
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If you fall off a horse, you get back up. I am not a quitter.
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A simple life is good with me. I don't need a whole lot. For me, a T-shirt, a pair of shorts, barefoot on a beach and I'm happy.
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I dread shooting with animals. I hope I never get a script with snakes.
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It's my private life, and it's not up for grabs.
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A vote for Japan is a vote for the future of rugby. We will do our best to make rugby a global sport.
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I was admittedly comfortable with Iman Cosmetics being identified as a beauty brand that filled the gap for black women because it was deeply personal for me.
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I like 'The Nightly Show.' People ask me what it is, and I say, 'If you're watching 'The Daily Show,' and it feels like it's getting a little darker, you're probably watching 'The Nightly Show.''
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We in the Middle East like to talk politics, we like to argue. Just look at the three prophets - Moses, Jesus and Mohammad. They are all from this small region which creates problems all the time.
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I enjoy doing new tunes. It gives me a little bit to perk up, to pay a little bit more attention.
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With a project like 'The 5th Wave,' you do something you would never do in your normal life; I would never have had S.W.A.T. training or boot camp, and there's something really cool about learning stuff like that that's really fun about our job.
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I really miss things like going to football games and pep rallies, and when I come home to Tulsa, I always try to go to those things.
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Is literature more important than hurting people? You can't argue that. You can't say it. It's impossible.
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To be interested in food but not in food production is clearly absurd.
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I tend to play characters that I can infuse with certain kinds of humour. Even the baddest guy can be funny in his own particular way. I want the audience to engage with the character on some deeper level so that they leave the cinema still thinking about him.
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So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.
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If you gay, you gay. Like, that's your preference, you know?
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I've never thought it was necessary to make fun of people - you can find fun in people without necessarily mocking them.
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If you want to get into the creative world, you have to just keep flogging away even when nobody's paying attention. Because then when somebody finally does pay attention, it's certainly a lot more interesting when you have a ton of stuff to show.
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One year you go in for auditions, and everybody thinks you're the queen of comedy, and the next year, you're so 'yesterday,' and it's not because you've done anything, or your ability has changed; you haven't been in work because you've been putting on weight and then trying to lose it.
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When I wrote my first book, I was too scared to find out how people got books published. I was convinced that you needed some sort of magical potion that I didn't have.
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When I wrote 'Mushaboom', I was living in the second verse, but I suddenly found myself in the first.
