Arlene Francis Quotes
Quotes to Explore
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It's just a blessing from above. I can't stress that enough, because I don't feel like it's anything that I've done. For me to say, 'Well, it's because of this, this and that is why I've been able to play,' it's just a lie. I couldn't tell you why.
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Devo and The Cramps didn't get big until they went to New York City. Chrissie Hynde didn't get big until she moved to London. When I was growing up, there wasn't even a place to play - just one little bar. If we wanted to have a gig, then we had to drive 45 minutes up to Cleveland.
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We Negro writers, just by being black, have been on the blacklist all our lives. Censorship for us begins at the color line.
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People fight today for the same fundamental reasons the Greek historian Thucydides identified nearly 2,500 years ago: fear, honor, and interest.
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I was interested in virtual reality for several years even before working at USC, it wasn't an interest that started there at all. In fact, when I started working at USC, I already had prototypes of the Rift that were very similar to the final design.
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No woman ever falls in love with a man unless she has a better opinion of him than he deserves.
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My judges preach against free love openly, practice it secretly.
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There has been a failure to grasp how competing narratives fight for the attention of angry young Muslims, and we have grossly underestimated the appeal of the jihadist brand.
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When you're on the pop treadmill, you don't always feel that cool because you have to do things to promote the record that aren't necessarily your environment.
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Death is just life's next big adventure.
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My head works in music, so there's always music there.
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My life has always been compartmentalized into different aspects. I have my speed skating Olympic pursuits, I have my personal life and have my business life and have my entertainment - TV - Hollywood - whatever have you - always compartmentalizing every aspect of my life.
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When Opportunity came, the person didn't realize it because it came in the form of misfortune.
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To sit in solemn silence on a dull, dark dock in a pestilential prison with a life-long lock awaiting the sensation of a short, sharp shock from a cheap and chippy chopper on a big, black block.
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My wife has cut our lovemaking down to once a month, but I know two guys she's cut out entirely.
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The greatest flood has the soonest ebb; the sorest tempest the most sudden calm; the hottest love the coldest end; and from the deepest desire oftentimes ensues the deadliest hate.
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I feel a particular sense of responsibility when you're taking something from the magazine directly and putting it in video. You can't be too flat. You need to have personality. You can't just scream out to the viewer. You need to have a fresh take on something or have a new look or have an interesting style, or be so raw that it resonates and is authentic. I think authentic is a good word. It's overused, I know, but I think it comes across in the video medium. If you can make a video authentic, it comes across.
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The first two projects I did out of my dorm room were mock film soundtracks.
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Other thing about Field Museum of Natural History which inspired was that in a group of pots you wouldn't see a single example of this kind of pot. You would perhaps see a case with 20 different examples. So you realize that these pots could be repeated again and again, and each time there would be minor variations in them.
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People are much more fascinated by your interests than they are by your opinions.
