Dan Gilroy Quotes
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I think there is an enormous sea change happening in the global workforce. It has a lot to do with globalization. I think that people used to have a hope for a career or meaningful employment, and its been reduced to internships, part-time work or just grossly underpaid work.
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A sociopath is not just someone who doesn't care about human emotion. They're someone who understands people to the point that they can manipulate them to an extraordinary degree.
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All of us have a bit of a sociopath inside of us, and it's wrong to think that somebody is just clearly sociopathic, because they're not. It's interesting to explore the shadings and nuances within a person. Those feelings exist within more human beings than people may want to acknowledge.
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The smorgasbord of images now presented to us is getting bloodier. They're becoming more frequent - almost hourly.
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Shooting at night in Los Angeles is amazing. The city shuts down at 10 P.M. every night, and a whole different cast of characters comes out.
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When an accident or a crime happens, there's a period of time before the yellow tape goes up, before the official response becomes formalized. That allows the nightcrawlers to get very close.
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I think a first-time director always has to convince a lot of people that they're ready to do it.
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News has become entertainment. Once that happens, a whole series of horrific events start to happen, whether it's the lack of dissemination of something that can inform you or something that actually negatively impacts society.
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I think there's a connection with 'Nightcrawler' and 'Blowup' and other films where visual imagery is integral to the story. It allows you to play with images.
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We rely on editors of blogs or websites and television stations to supply us these images, and the filter is becoming very thin and very porous. The ratings race for TV and websites is incredibly fierce, and one of the ways of getting people to watch is through graphic violent images.
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I'm often stunned when I come up over Mulholland, and I'm looking down at the Valley, and I can see for thirty miles; I can see the mountains, or all the way to the ocean.
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I had written a script called 'Freed,' which I had wanted to direct.
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The spirit of L.A. is untamed wilderness. It's earthquakes and wildfires and oceans and mountain lions and fog. There's great physical beauty.
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I'm an enormous Tim Burton fan.
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The real reason why people are going with digital is that it's extraordinarily mobile, and it's cheaper, and it has a great image, and you just can't beat it at night. It's pulling in variations of colors; it's pulling in lights from 40 miles away - a candle would be seen.
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I feel that the world is increasingly about the bottom line, and not so much about human respect or human dignity. In that regard, people who care about other people will not be in a position to make choices and do things that other people who they're competing against will get to do.
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Everything I've ever written, I had a very distinct vision of what I wanted it to look like. But, other directors never do it that way.
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There are a lot of sociopaths running around who are probably our friends, if not us, and we don't know it.
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I have a strong desire to communicate what I feel about the world. That's exciting to me.
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My screenwriting credits in my career are probably not dissimilar to some other ones in the sense that a lot of the scripts you write don't get made, and the ones that do get made are certainly - as a writer, they're not your vision.
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I moved to L.A. and watched a lot of local television news, and I started to see the burn logos up on the upper right hand corner - On-Scene Video, RMG Media Group, and all these other ones. I just became intrigued with it.
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I find Los Angeles to be a place of great physical beauty, in which you have the oceans and the mountains, and there's a vertical sense and a desert light that you can see forever.
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One of the things about the '70s films I love - the films 'Nightcrawler' is being compared to, like, 'Taxi Driver' - is that they never put their flawed characters into any one box.
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I think Los Angeles is often portrayed as kind of a petri dish, where bad decisions start and then spread to the rest of the world. I don't see it that way. I feel Los Angeles is a place of almost primal struggle and survival. It's not a city that embraces its inhabitants.