Richard Seymour Quotes
Quotes to Explore
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I was 12 years old when I had my first job, delivering packages.
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I hardly ever write when I'm just feeling great.
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Evil is unspectacular and always human, and shares our bed and eats at our own table.
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I can relax in L.A. I think I'm the only person in that town who doesn't want to act. I was an OK singer. I was an OK dancer. But acting? Never could do it.
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'Prison Notebooks' gives me a basic understanding of how power can influence people through cultural products and intellectual groups, so they will voluntarily support the hegemony.
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For me, with music, there is no half-stepping. This is my calling.
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There's still is a status-quo group at City Hall who likes things done the old way, behind closed doors.
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There's a lot of judgement that can come from outside sometimes, and there's media scrutiny that is placed on a lot of women in the public eye, and I just couldn't care less. I really couldn't care less.
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I like to work and it kind of keeps me in line, which is very good because I need that structure.
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To become a mother is to learn a whole language - to relearn it, perhaps, as it was the tongue to which we were born - and hence gain entrance to a forgotten world of comprehension.
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If there is to be any hope of prosperity for this country it is by reversing that policy which made us simply the kitchen garden for supplying the British with cheap food.
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Growing up eating fruits and vegetables fresh from our farm added a lot to the way I taste and look at food today, and I wanted the same for my kids and other kids.
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I want to live in Kolkata; I don't want to live in Europe - I can't write there. I write in Bengali, and I need to be surrounded by the Bengali language and culture.
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The difficulty in a number of Western democracies is that the playing field is being tilted. For many in the middle class, prosperity seems unattainable because a good education - today's passport to riches - is unaffordable.
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A good producer brings out the best in the artist he's working with. You shouldn't be able to listen to something and say, 'So-and-so produced this album.'
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We are not coaching on a daily basis because we often travel with our charity and commercial interests.
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We don't need a lot of initiatives for women in film; what we need is money.
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I think why I was attracted to making something with Vice is that level of intimacy that you get as the viewer, getting to see some of that production element where we don't exactly know what we're doing, where we're going, or even if it's a good idea.
