Bentley Little Quotes
I was reminded of the Winchester Mystery House, which I’d seen as a child on a trip with my parents. From above, there was the same sort of random conglomeration—peaked roofs connected to flat roofs, shakes and shingles, tarpaper and skylights—and I realized that Frank had constructed his house from the town, connecting the buildings until they made one enormous edifice. “Jesus,” I breathed.
Quotes to Explore
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To me, 'Underground Luxury' is kinda like a contrasting title, and the reason for that is because on this album I plan on introducing to people and reintroducing to people the side of me that they didn't see on the first album.
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The idea flow from the human spirit is absolutely unlimited. All you have to do is tap into that well. I don't like to use the word efficiency. It's creativity. It's a belief that every person counts.
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Sometimes I think people get into trouble because they can't say what they want to.
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When we direct our thoughts properly, we can control our emotions.
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I didn't want to be a number. I didn't want to be an object.
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I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
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Children in their young teens are just moving into the moment when they are most receptive to philosophy and psychology. You can explore these things in stories and, in doing so, give them power and control.
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L.A. interests me, the whole band scene and relaxed carefree feel, but it does not mean you have to dress like a hippy.
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What interests me is starting businesses on our own, finding ideas that we can support, and simply investing in invention.
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I like old Disney films that have an edge to them.
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All human beings are also dream beings. Dreaming ties all mankind together.
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Truth be told, most financial television bores me. Two or more people discussing the latest economic trends or hot stocks is not especially entertaining.
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Now I have the bravery to do fine things.
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I think social media, it in a way forces companies to be more authentic or more transparent because it gives a voice to the consumer and a reach to the consumer that they didn't have before.
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People would tell us, 'I love your company, but I want to go to Chicago or Boston or New York.'
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I was truly honored to work with legendary DJ and producer DJ Premier. I still can't believe I have a track with Premier; it really is one of the best songs I've written in a long time.
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What goes on between the actor and director is sacred.
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I feel that being an actor is a front-row seat into seeing how everybody else makes their movies. Basically, being in the trenches for ten years is like a college-level course in filmmaking if not more. It feels like every director I work with and every set that I visit as an actor, I see someone else's definition of filmmaking.
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I loved things like Destiny's Child, and Amy Winehouse's first record came out when I was 11 years old. But as a young, young child, I was just surrounded by Stevie Wonder, Whitney Houston, Chaka Khan - just massive, soulful voices.
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I completely admire my mother for raising a child with cerebral palsy at home.
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I was always fascinated by graphic art and typography and architecture. And so I was constantly cutting things and making blocks and making buildings out of shoeboxes.
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A lot of people glorify and romanticize the idea of being an early bloomer: finding success very early and being a child star. But it can also be quite dangerous.
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In the days when I was the big hero, the money wasn't much. Nobody made anything on television in those days.
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I was reminded of the Winchester Mystery House, which I’d seen as a child on a trip with my parents. From above, there was the same sort of random conglomeration—peaked roofs connected to flat roofs, shakes and shingles, tarpaper and skylights—and I realized that Frank had constructed his house from the town, connecting the buildings until they made one enormous edifice. “Jesus,” I breathed.
