Quentin Tarantino Quotes
Reservoir Dogs is a small film, and part of its charm was that it was a small film. I'd probably make it for $3 million now so I'd have more breathing room.
Quotes to Explore
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The Open Access Movement has fought valiantly to ensure that scientists do not sign their copyrights away but instead ensure their work is published on the Internet, under terms that allow anyone to access it.
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We must become acquainted with our emotional household: we must see our feelings as they actually are, not as we assume they are. This breaks their hypnotic and damaging hold on us.
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War diminishes both civil and economic rights.
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The majority of work I do is in independent films, where you're lucky if you have five takes.
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The most inspiring objects are books. I have about 5,000 volumes in my home library. It's an unending source of visuals and ideas.
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I have always been delighted at the prospect of a new day, a fresh try, one more start, with perhaps a bit of magic waiting somewhere behind the morning.
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Usually I trundle about in trainers and baggy jeans, looking about as attractive as a potato.
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You have to fight for your health and stay on top of it. Our bodies are meant to be healthy.
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You can't say what the outcome of a competition is going to be, so now I am ready to accept any result that comes my way, if I give my best shot.
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I don't think that my work is very moralistic - at least, I try to avoid that. I grew up with that sermonising tendency, and I don't think visual work operates like that.
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We need to remember that politics is all about people, not programs. We shouldn't want to take the humanness out of the political arena.
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I graduated with an English degree and worked for awhile in academic publishing.
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I do take this insane pleasure in world-building. I get the world in my head, but I have to make sure everyone else gets it.
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Spiritual practice should not be confused with grim duty. It is the laughter of the Dalai Lama and the wonder born with every child.
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Economic growth is important. But we cannot count on economic growth alone to fund the public education system our children need and deserve.
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I was just a goofy little funny kid, who was always getting sent to the principal. It wasn't serious because I was smart. I wasn't like a true troublemaker, just rambunctious - like, talkative and trying to be funny. That was me in middle-school.
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We had a lot of difficulty in getting the French to accept the pyramid. They thought we were trying to import a piece of Egypt until I pointed out that their obelisk was also from Egypt and the Place des Pyramides is around the corner. Then they accepted it. The pyramid at the Louvre, though, is just the tip.
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In all these years, I've understood one thing: that it's only your work that should do all the talking.
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My sole aim is to leave everything in suspension, in flux, in order to avoid our community solidifying into a conventional academy. Our initial resources may be few, but our spirits are high, receptive, and excited, and that seems to me to be the most important thing right now.
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The idea that American producers and directors are choosing black British talent to save themselves a buck or two is ridiculous - it's because we're damn good.
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My grandchildren are fabulous and funny.
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It's human nature that we come in our own flavours, and it doesn't make any sense to write a monochromatic or monocultural story unless you're doing something extremely small - a locked room-style story.
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I'm not really afraid of the dark, except if I'm walking. The thing that scares me the most is the possibility of walking into a wall and busting my lip.
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Reservoir Dogs is a small film, and part of its charm was that it was a small film. I'd probably make it for $3 million now so I'd have more breathing room.
