Rick Yune (Richard Yun) Quotes
History will tell where I stand in the ranks of Bond villains, I have no control over that.
Quotes to Explore
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Neither science, nor the politics in power, nor the mass media, nor business, nor the law nor even the military are in a position to define or control risks rationally.
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When you say 'control freak' and 'OCD' and 'organized,' that suggests someone who's cold in nature, and I'm just not. Like, I'm really open when it comes to letting people in. But I just like my house to be neat, and I don't like to make big messes that would hurt people.
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I struggle with control.
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Our contribution purely depends on our consciousness and our willingness to support those in need, to show vulnerability and accept the support of others, to share without expecting the credit, to give it our all and allow our hard work to decide the outcome, to understand that control can only be achieved with a shared responsibility.
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Anger is a momentary madness, so control your passion or it will control you.
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I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
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GM has never been about feeding the world or tackling environmental problems. It is and has always been about control of the global food economy by a tiny handful of giant corporations. It's not wicked to question that process. It is wicked not to.
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There is no doubt that breath control is the means for mind control because the mind, like breath, is a part of air; because the nature of mobility is common to both; because the place of origin is the same for both; and because when one of them is controlled, the other gets controlled.
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It's good to make your own things because you can have control of your own art.
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The only people who have control over their careers are the ones you see on the covers of magazines. Everyone else is just plodding along making a living. The key is not to live over your means and overdo it.
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I think the biggest thing is voice. Whose voice is it? Who gets to control the narrative?
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Well, my constituents are happy that the Republican Party has finally gotten off its duff, seeing that we do control the House and the Senate and the presidency, and taken up the issue of illegal immigration.
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When the gun lobby fights gun-control legislation, its logic is clear: it does not like laws that prevent people from owning or using guns.
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As children, we all hold on to the myth of omnipotence. Comics are successful because kids identify with superheroes. They'll read a book or watch a TV programme and say, 'I'm that guy.' And that guy is always the one in control.
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As an independent artist, you control the means of production, which is the ultimate form of empowerment.
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I'd always been a news junkie, always read lots of newspapers and watched the Sunday morning news shows on TV and felt strongly about issues of power, control, sexuality and race.
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Grave security concerns can arise as a result of demographic trends, chronic poverty, economic inequality, environmental degradation, pandemic diseases, organized crime, repressive governance and other developments no state can control alone. Arms can't address such concerns.
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I just wanted to do this all Australian film and we didn't want to give creative control to overseas 'cause whoever comes on my sets, whether you're sweeping the floor or an actor, it doesn't matter who comes up with the ideas, it's a collaboration.
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I love the stage. It's terrifying in a way that film and television is not. When you're about to go out, and you're adrenaline just gets out of control, and that can be really daunting.
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The odd thing is if you asked me to do the accent now I would find it very difficult unless I was also playing that part, because I associate it so much with entering into the role and stepping into someone else's shoes.
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She had a lot of empathy. Maybe that’s why she liked all those bad boys. They were outcasts. It was like she was picking up strays and taking them in. It’s like she could see past their rough exteriors and see the parts of them that hurt. Maybe she thought she could take away the hurt. She was wrong, of course. But I found it hard to fault her for her good heart.
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Our writers are full of cliches just as old barns are full of bats. There is obviously no rule about this, except that anything that you suspect of being a cliche undoubtedly is one and had better be removed.
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I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
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History will tell where I stand in the ranks of Bond villains, I have no control over that.
