Omar Alfredo Rodríguez-López Quotes
I usually don't share the music with the musicians until right before they have to record their parts, because I hate discussing it and just intellectualizing it on any level. I just want to speak from the subconscious, which knows way more about me than my intellectual side will ever know. Once I start doing the arrangements - what I call the architecture of the song - that has a lot of thought put into it.
Quotes to Explore
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In the music business, I found it was much more about interviews, photo shoots and appearances rather than actual performing, which I do best.
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Being at the Apollo, I was always starstruck.
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And for the few that only lend their ear, That few is all the world.
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I consider The O.C. as my college. It was four years and I made friends who I'll have forever.
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In the late '90s, I spent a lot of time on reservations, and there was a level of poverty and injustice that I had not witnessed before. I was shocked by it. This is federally controlled land, and there was an insidious mix of apathy and exploitation.
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Even as our economy starts to pick up, and new jobs are created, there is a risk that young people in Britain won't get the chances they deserve because businesses will continue to look elsewhere.
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The emperor is in the Church, not above the Church.
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I'm happy with the coach we have. I think any one of the ones I asked them to consider would've been good.
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I think that the greatest lesson I learned from my father is just having compassion towards people.
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I have me. I have God. I have my son. Everything else is extra.
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You'd better believe that Putin sees that in Syria, Obama draws a red line and ignores the red line.
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You don't master your fear. You're not able to say, 'I'm not going to be scared.' But what you can do is say, 'OK, I'm very very scared, but I have to do this and this and this.'
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Negative publicity makes people forget your best times.
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I suppose being quite young and being thrust quite dramatically into a large public arena skewered my vision of what it means to live and be a part of something.
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With every story that TV covers, somebody - some corporation, some shareholders - are making money. That's true whether covering Libya, Iraq, the tsunami in Japan, Osama bin Laden, whatever story there is. That day, the shareholders are making money off it. Every newspaper that's sold, somebody's making a dime.
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One of the reasons I come to California is that the Republican party seems to have given up on California, and my message to those in California is that we're going to compete nationally as a party, and that includes California.
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There is a certain aesthetic pleasure in trying to imagine the unimaginable and failing, if you are a reader.
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There are times I can't even figure myself out.
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Never talk to a client about architecture. Talk to him about his children.
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Realize that sleeping on a futon when you're 30 is not the worst thing. You know what's worse, sleeping in a king bed next to a wife you're not really in love with but for some reason you married, and you got a couple kids, and you got a job you hate. You'll be laying there fantasizing about sleeping on a futon. There's no risk when you go after a dream. There's a tremendous amount to risk to playing it safe.
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I went whole hog at the actor's lifestyle - really embraced it. I had by then known how much I loved acting already, because I discovered acting from a teacher in the seminary - that's the first place I ever did it, in the seminary.
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The reality is that fulfillment, success and all of these good things comes from trying to help those that we care about to achieve those things. How can I help somebody I care about find the job they love? How can I help somebody I care about find happiness in their work? And when we commit to service it actually biologically and anthropologically is more likely to lead to our own success and our own happiness.
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I usually don't share the music with the musicians until right before they have to record their parts, because I hate discussing it and just intellectualizing it on any level. I just want to speak from the subconscious, which knows way more about me than my intellectual side will ever know. Once I start doing the arrangements - what I call the architecture of the song - that has a lot of thought put into it.
